It took quite a bit of research to uncover a good amount of these as I often try not to merely cater to the Spotify top ten and I’d like to extend some much given thanks to the audio drama subreddit for their excellent recommendations.

With a bit of assistance, I’ve found the new, the obscure, the scary, the silly, and the weird combinations of both. Here we have fifteen audio dramas that have caught my attention as of late all coming in a variety of tones, lengths, and genres spanning meaty, long-form mysteries, science fiction anthologies, or a short and sweet miniseries from the likes of newcomers and experienced vets.

As a note, all of these podcasts should be listened to from the beginning unless otherwise stated. Almost all of these podcasts are serialized stories with continuous narratives.

The Best Audio Drama Podcasts

Audio drama is certainly a subjective subject. What one person likes, another will hate. But we’ve gone to great lengths to ensure our picks for the best audio drama podcasts employ excellent storytelling, character development, and have the requisite plot twists that will keep you hooked.

So let’s look at the best audio drama podcasts the medium has to offer. At the end of the post we’ve included some bonus audio dramas that didn’t quite make the list of “best,” but are still pretty damned good and worth your time.

Without further adieu.

The Fourth Ambit

A slightly newer podcast debuting last spring of 2021, The Fourth Ambit is already a solid few hours in the length of their episodes and has got me hooked like malware on a hard drive. 

The Fourth Ambit is a dark, intelligently written sci-fi that weaves a fascinating futuristic landscape where the merging of advanced technology and the human condition take center stage. You won’t want to miss any of Gilles’ misadventures between virtual reality and reality-both of which seem to be equally dangerous.

Give Me Away

Give Me Away focuses on a crashed spaceship titled “The Ghosthouse” for the constant presence of ghastly screams from doomed extraterrestrial life trapped in its mainframe. The only way to end such eternal torment is to transfer their minds into willing human participants-permanently. 

This audio drama comes from the writers behind such favorites of The Message, Life/After, and Steal the Stars which ensures Give Me Away will be a gripping, methodical mystery built from the ground up on atmosphere and chilling discoveries.

It makes for a piece of amazing science fiction with a psychological core, dabbling into complex themes of identity and self worth. You’ll be deeply enamored with the journey of protagonist Graham Shapiro and an exploration into the value of one’s life, be it his own and those around him.

If you do like science fiction do check out some of the paranormal podcasts we’ve reviewed recently. Are they fact or fiction? Or a blend of audio drama?

The Program Audio Series

Joining my collection of favorite anthology series besides The Long Hallway and Theatre of Tomorrow is The Program Audio Series where we’re transported to a universe where Money, State, and God form into one entity governing over a future society. The Program Audio Series lets us into the lives of multiple strangers-some innocent, some not so much, all of them somehow affected by the might gonglamorith of technology. 

The Program audio series is an unapologetically cruel but undeniably creative collection of short stories about a terrifyingly possible future and a rapidly changing present.

PLEASURE MACHINE

It all starts when African American sound artist H gets a job offer from tech cooperation Librate–a once in a lifetime opportunity that wroughts on a number of personal conflicts. That’s the base plot of Colt Coeur’s PLEASURE MACHINE, a nine episode long thrill ride that’s a blend of Dear White People and Sorry to Bother You.

PLEASURE MACHINE’S writing is deeply provocative and smart yet simple in execution with its neat editing tricks, and atmospheric sound design that packs so much into so little time. Many struggling under the stress of freelance, social constructs, and societal pressures will adore this miniseries, these all being topics that PLEASURE MACHINE provides with a complex, adult perspective.

Margaret’s Garden

The Bloody Disgusting Podcast Network has carefully crafted the quaint American suburb of Everton, a picturesque suburban brimming with all-American charm, modern appliances, and opportunity…seventy years ago, that is. 

The American Dream becomes the American Nightmare in their show Margaret’s Garden, a suspenseful suburban audio drama fresh from the oven as of the fall of 2020. Margaret’s Garden is a nice blend of Greener Grass and 1989’s Parents, setting itself up as a piece of truly memorable and macabre Americana.

Greenhouse

Put your flower shop AU’s to bed because Atypical Artists’ Greenhouse is the kind of blooming romance you won’t want to miss. Cute, cozy, and awkwardly sweet, Greenhouse is To All the Boys I’ve Loved Before with deeper roots than your favorite Wattpad fic.

Watch from the shrubs as two wallflowers learn to overcome their fears and open up to each other one letter at a time. Our leads Abigail and Rose are as socially anxious as they are adorable and you’ll be ready for their love story to grow from the first “dear”.

Donald August Versus the Land of Flowers

Babysitting and bad gardening merge in this short audio drama comedy that packs plenty of personality (and pollen) in just under an hour. In this unlikely summer tale in Southern Florida we join twelve-year-old Donnie and his nanny Lex as they investigate the presence of a mysterious palm plant when their game of detective turns into a legitimate investigation.

At a brief five episode length, Donald August Versus the Land of Flowers is a simple, charming story with just the right amount of childhood innocence and the kind of summer fun that will lighten up any dreary day. 

Jack of All Trades

In search of work and a place to live, young and spry Jaclyn Seeglay, often known as Jack, gets hired at Fidus Achates as their new repairwoman, even if her own resume could use some tweaking in the truth department. 

Little to her knowledge, she’s signed up to be the company’s new paranormal hunter who must determine if the creaky floors and leaky faucets are the results of poor house planning or a poltergeist. 

Though I”m sold on the absolute disaster lesbian of a protagonist and her hilarious coworkers, Jack of All Trades comes with some surprisingly strong lore and unique takes on supernatural creatures that give its world immaculate depth.

What Can I Get Started For You?

What Can I Get Started For You? is a slice-of-life comedy mini-series that tells the story of four New York baristas passing by work days with hilarious banter and curating the perfect Spotify cue to survive the next lunch rush. 

Lucky Doll Productions has crafted the ultimate coffee shop story complete with seductive health inspector checkups and talent shows.

What Can I Get Started For You? gets by on the strength of its snappy writing, fun characters, and unique stage play framing that gives it the vibe of watching sitcom misadventures. Don’t even bother adding sugar to your coffee this morning, this show’s good vibes should be enough.

PodCube

No need to adjust your settings, PodCube is just as odd as it seems and the kind of alien experience you might be looking for if you have a taste for a weird workplace comedy. PodCube seems to be a semi-improvisation project though it might be the actors’ natural comedic flow with each other that’s got me recalling the Interdimensional Cable segments from Rick and Morty.

Despite its inherent weirdness, PodCube is a weirdly grounded look into the chaos of mainstream marketing and working under capitalistic restrictions. Between fake movie trailers and awkward press conferences, PodCube never once tries to explain itself. You should have been listening to this yesterday.

The Swashbuckling Ladies Debate Society

Now this is unfortunately a late arrival as The Swashbuckling Ladies Debate Society is on its third season as of this writing and as a fan of Barbie and The Three Musketeers I’m honestly a little sad no one told me about this sooner. 

Here we visit an alternate 20th century France in the seaside town of Massalia under the threat of brutal political corruption from a group that calls themselves The Six. It’ll take wits, cunning, and teamwork to fight the forces disturbing the peace and married lesbian couple Saffron and Zinnia are up for the challenge.

The Swashbuckling Ladies Debate Society is my greatest feminist fantasies come true complete with sword fights, fiery debates, and frilly outfits. It not only makes for some excellent historical fiction but has such contagious charisma and charm, it’ll have you rallying alongside these dashing heroines.

Maxine Miles

The newest brainchild of The Bright Sessions’ Lauren Shippen is Maxine Miles, a Nancy Drew by way of Clue audio drama with a choose your own adventure twist. Taking place in the late nineties of Hastings, New Hampshire in the eve of autumn, we join Maxine’s team in uncovering the mysteries of her town after the disappearance of one of her classmates. 

The uber-intelligent and precocious Maxine definitely has the wits to crack the case but will the secrets that plague her New England home be too much for one girl to handle? 

Maxine Miles proves to be wholesome fun with a twinge of suspense and intrigue that’ll have you nostalgic over tweenage mystery novels. You definitely won’t need a magnifying glass to see why this one is a gem.

Death by Dying

The life of an obituary writer isn’t exactly thrilling but in a world where the most unlikely of deaths come attached to haunted bicycles, evil farmers, and cats with a deadly appetite, it’s just one of few misadventures in the life of a rookie occult investigator.

Death by Dying is darkly entertaining in its bold writing choices and macabre yet hilarious subject matter, making it an excellent blend of Wooden Overcoats and Less is Morgue. You’ll enjoy Death by Dying’s smooth narration, solid comedic timing, and intriguingly insane mysteries. It’s grim yet uplifting, discusses the dead and is yet filled with life in each episode.

Hannahpocalypse

It’s the end of the world as we know it and Hannah is doing weirdly fine. From Red Fathom Entertainment comes Hannahpocalypse, a comedy/horror audio drama from the perspective of the world’s last unliving girl who has (un)survived a zombie apocalypse merged with a Terminator-style apocalypse.

Hannahpocalypse is a smartly written, tongue-in-cheek take on post apocalyptic tropes told from the perspective of the titular monster. Hannahpocalypse has weaved a funny and insanely charming piece of self aware comedy that’s a refreshing take on the usual piece of glum and gritty apocalypse fiction.

Who Killed Avril Lavigne: A Time-Traveling Pop Punk Podcast

Local teen edgelord Derek Walker has his head up in space and himself back in time when his substitute teacher sends him back to Warp Tour to investigate the disappearance of pop punk princess Avril Lavinge. From that premise alone, the best damn thing might be Who Killed Avril Lavigne: A Time-Traveling Pop Punk Podcast, a love letter to rock and the early 2000’s that will resonate with millennials and the average music fan. 

Who Killed Avril Lavigne is a nostalgic yet strangely modern piece of time-travel comedy that blends crackpot conspiracies and punk rock edge seamlessly. No reason to make things so complicated, you won’t find many things this stylistically gorgeous, absurd, and unbelievably original.

Bonus audio drama podcasts

These audio drama podcasts come from versions of this article past. We still recommend them! They remain some of the greats in audio drama podcasting.

Life With LEO(h)

The androids that don’t dream of electric sheep or are probably dreaming of long walks on the beach. From the same studio that brought you podcast darling The Bright Sessions comes Life With LEO(h), a lighthearted sci-fi comedy about the bond between girl and machine. 

In true rom-com fashion, it focuses on strict and serious Jeanine Bell whose active work life as a robotics intelligence lawyer has majorly crippled her chances at an active love life.

Luckily for her, she’s getting a relationship reboot if she wants it or not once she comes across the adorably dysfunctional, and highly illegal android LEO, Loving, Empathetic, Optimistic, and (only sorta) helpful. This show will never have you doubting if robots could ever know love. When Leo is involved, romance is always part of the equation.

Read more: Life with LEO(h): Atypical’s New Fiction Podcast About Living With a Sexy Robot 

Less is Morgue

Meet your fellow monster in this excellent comedy with a horror twist, Less is Morgue. Taking place in a fantastical Tallahassee, Florida where the supernatural is the norm, a grumpy ghoul named Riley and giddy ghost Evelyn host their own podcast from the comfort of their basement.

But this duo proves that being dead doesn’t make their days any less lively. 

Less is Morgue is smartly written, weird, and wonderfully charming with a great cast of characters, quotable dialogue, and some very solid chemistry from the main undead duo that makes every scene hauntingly hilarious.

Where The Stars Fell

From the creator of Inkwyrm comes a supernatural mystery audio drama written by Newt Schottelkotte of the always experimental Caldera Studios. It follows the not so average life of Dr. Edison Tucker, A.K.A. Ed, whose search for the paranormal might have to start with herself.

Where The Stars Fell is a story of truly biblical proportions twinged with all things existential, violent, and downright weird. Honestly, it might be best to go in blind to truly get the full experience yourself. Be not afraid and check it out. 

When Angels Visit Armadillo

Conspiracies ahoy in Christin Campbell’s When Angels Visit Armadillo. Get to know Magnolia Waters as she tells all through interviews and phone calls about a mysterious disappearance back in ‘88.

When Angels Visit Armadillo is an excellent piece of Americana, a deeply intriguing mystery with Southern flair and a sapphic story at its core. It’s a pleasant mixing pot of Alice Isn’t Dead and the previously mentioned Where The Stars Fell, and despite its short runtime, it’s got a real grit to its presentation that I can’t help but respect.

Spirit Box Radio

Set your stereos to supernatural with Spirit Box Radio, a weekly horror audio drama from Hanging Sloth Studios. When the original host, Madame Marie of Spirit Box Radio‘s Advice and Community Segment goes missing, plucky newcomer Sam Enfield will have to take her place.

But hosting a mystical radio show isn’t exactly a walk in the graveyard when the studio itself is host to terrifying secrets and its own history of hauntings. Spirit Box, with its interesting premise and wiccan vibes, should be a fun listen for anyone seeking out some new, lighthearted horror.

Seen and Not Heard

Our lead in this excellent audio drama is Bet Kline, a woman who is now legally deaf and must navigate herself around such an unexpected curveball. Seen and not Heard is a brutally honest look into living with disability that doesn’t spare a good sense of humor to get its message across.

Those who have struggled with anything be it mental health or hospital stays will find a lot of catharsis in the show’s sincerity and delicate yet bold approach. (Discloure: Caroline Mincks has written for Discover Pods.)

Read more: Seen and Not Heard: On Hearing, On Listening

Ronstadt

Spooky yet weirdly sentimental, mystical yet down to earth, cool as ice and yet hot as hell-that’s one of many ways to describe Ronstadt, a severely undepreciated supernatural noir comedy taking place in an alternative Los Angeles. Meet Rhett McLaughlin, AKA Ronstadt, a snarky, dysfunctional phone jockey thrown headfirst into the dark underbelly of L.A., here known less for its sandy beaches and overpriced coffees and instead it’s otherworldly events.

Combining the aesthetics of The Meat Blockade with the general, effortlessly cool vibe of a Juno Steel adventure, Ronstadt’s strong voice acting, crisp sound editing, and solid storytelling makes a great find for mystery and magic fans looking for that urban twist.

Only Sketches About Podcast

If you’re looking for a less linear podcast experience, you’ll definitely find it with the Only Sketches About Podcast, a grab bag of topics ranging from the mundane like camping trips and gift shops to the more abstract tales of UFO’s and clams. 

Only Sketches is always weird and always funny with a nice twinge of satire to boot. Regardless, Only Sketches is a delightfully unpredictable time with a small but strong cast delivering wonderfully weird stories in this collection of memorable skits.

The Luchador: 1000 Fights of El Fuego Fuerte

Do you ever read the title of something and immediately be sold on its premise? Well, that was the case with picking up The Luchador: 1000 Fights of El Fuego Fuerte, and luckily a pretty solid adventure comedy podcast happened to be attached to it. 

El Fuego Fuerte is a thoroughly original, bombastic joy ride filled to the gills with combat and camp you probably can’t find anywhere else. Creator Daniel Valero Fletcher shows a real love and passion for the art of masked wrestling and the series is pure passion from start to finish.

Mars’ Best Brisket/Midnight Burger

From your local restaurant comes Mars Best Brisket, a short and snacky sitcom by Ponders Productions. Join this eclectic couple as they create the first ever vegan restaurant on Mars, navigating food critics and new hires. Mars Best Brisket is cute, homey, and lovably original with strong writing and the unmistakable wholesome center of visiting a family diner to support its short runtime. 

In fact, why don’t we sandwich a similar recommendation into this with a heaping helping of Midnight Burger, the story of a seemingly normal Phoenix diner that’s actually a time bending, dimension hopping restaurant. Check out either one of these or maybe develop a craving for both. Regardless, you’re bound to leave here smiling and satisfied.

Patient 33

The podcast where the protagonist is in a coma. To be completely honest, that premise alone has sold me on Patient 33, a splice of comedy and medical drama that deconstructs the very nature of podcasts with its clever use of dissecting listener agency with this unorthodox but very creative choice of perspective.

Patient 33 is genuinely engaging with its ongoing plot and dysfunctional cast of characters, making Hope’s Memorial Hospital the hospital that never sleeps.

OBSIDIAN

Ever since checking out Adventures in New America from Night Vale Presents, I’ve been on the prowl for more afrofuturism. Luckily, speculative fiction podcast OBSIDIAN has seriously been scratching that itch for me lately in this truly excellent sci-fi anthology collection. 

OBSIDIAN is delightfully bizarre and insanely smart with inspired settings and one of a kind world building that dabbles into ideas of space travel to simulations, making for an intense, psychological romp that may spark only a minor existential breakdown.

Beautifully constructed from the ground up, OBSIDIAN is an easy yet engaging listen for anyone who wants to get lost for a while.

Kalila Stormfire’s Economical Magick Services

Fans of Alba Salix, Royal Physician will probably get a kick out of this ongoing lost gem from 2018, Kalila Stormfire’s Economical Magick Services. In this modern take on witches navigating the working world, local witch Kalila Stormfire makes a living as a one-stop shop for fixing magical (magickal?) mishaps. 

You won’t just get tarot card readings and healing crystals here because Economical Magick Services is conjuring up astral projection and speaking to the dead all at an adorable price. And, luckily for you, you can check out this excellent audio drama free of charge. 

We Fix Space Junk

A long time favorite of mine, We Fix Space Junk specifically appeals to my favorite brand of science fiction: the down on their luck, ragtag working class variety like you find in shoes like Wolf 359. 

Here we join repairwoman Kilner and her A.I. partner in crime as they take on any variety of odd jobs while narrowly avoiding being blown into space dust. We Fix Space Junk is a hilariously written, tongue-in-cheek satire that cinches its story with some great acting chops and editing all while being an impassioned love letter to the genre.

If you’re a fan of quirky space comedies like Hitchhiker’s Guide to the Galaxy, you’re bound to enjoy this.

Community Cat News

Oh the things you’ll find if you dig just deep enough, and in this case, my journey concludes in the litter box. Community Cat News is exactly what it appears to be on the surface, an adorable glimpse into the minds of neighborhood cats and what makes them tick in their personal cuddly corner of the world. 

Composed entirely of short episodes, Community Cat News will make up only about five minutes or less of your day and with it sponsored by the prestigious Meow Meow Puffytail, Feline Rights Attorney, you know it’s bound to be a pur-fect entertainment for you and your own feline friend.

Brimstone Valley Mall

As a soda-chugging, pizza-munching, Twitter-account-owning degenerate who feels entitled to the kind of liveable wage a part time mall job simply can’t provide, a black comedy podcast about demons in a rock band working at a suburban shopping mall during the late nineties is a little too up my alley. 

Though my Goth phase is long past me, a show that encompasses Goth aesthetics is such a rare and incredibly welcomed facet to the considerably less Goth podcasts lying around. No time for prissy preps here, Brimstone Valley Mall is truly the epitome of what old people think rock music does to the youth-Satan worshipping and a sudden taste for leather included.

The Godshead Incidental

(Disclosure: Cole Burkhardt, who plays Lorem Ipsum, is a Discover Pods contributor.)

It usually doesn’t take much to impress me so The Godshead Incidental passing the test within a mere few seconds of its first episode is actually high praise. In this urban fantasy that’s a nice combination of The Wicked and The Divine and an episode of Parks and Recreation, comes one of the most unique takes on modernized mythology I’ve heard in years.

Get to know advice columnist Em as she tries to find her missing sister after a sudden run in with the God of Memory, throwing her into a risky partnership with the charmingly mysterious Lorem Ipsum. Witty dialogue, fantastic world building, and solid acting chops makes for a one of a kind experience. 

Read more: New Religion: “The Godshead Incidental” Review

The Magnus Archives 

As the kind of person who still gets startled by bread coming out of a toaster, I’m probably not the kind of person who should be getting personally invested in horror shows. Too bad The Magnus Archives has already sunk its teeth into me and hasn’t let go for the better half of last year. 

What starts as a loosely connected compilation of one-off horror stories becomes a densely personal psychological horror peppered with just the right amount of existential dread and body horror galore. If you can stomach what it has to offer, it’ll prove to be as satisfying as it is scary.

The Long Hallway

Perhaps blame my short attention span or growing fondness for Black Mirror, but there’s something I inevitably enjoy about anthologies. There’s definitely an art to be appreciated in the nature of a short story, how quickly we’re introduced to characters and ideas until we’re forced to jump to another one with the fate of our last gallery of heroes left completely abandoned. 

Anthology shows are in no short supply in audio drama but there’s just something about The Long Hallway that really caught my attention. Its methodical pace, its slightly eerie atmosphere, and its love for twists and subtle theming all packed in episodes that never go over eleven minutes makes it an excellent entry level podcast.

The Theatre of Tomorrow 

While still on the topic of anthologies, the first collection I found myself smitten by was easily 2017’s The Theatre of Tomorrow by Midnight Disease Productions. There’s just something so fun about shows that are wacky for wackiness sake and it takes a delicate hand to make these kinds of shows charming instead of obnoxious.

The Theatre of Tomorrow is silly but inspired by its love of retro, old-timey radio plays, granting it a sort of 1950’s aesthetic pleasantness. It’s random but never incoherent which is helped by some positively solid casting and editing, making it as hilarious as it is fabulously put together. Nothing quite tickles my fancy the way a good scripted comedy does and The Theatre of Tomorrow is a severely underappreciated relic.

Fuck Humans

Audio-fiction erotica is in itself quite a rare genre. Not that podcasts can’t talk about or include sex or sexually active charaters, but many of which can hardly call themselves legitimate smut. And for the lonely adults in the world in need of some more sizzly soundbytes comes Fuck Humans, a fantasy romance for the eighteen and older audience.

Fuck Humans manages the art of combining both smut and story and doing so with expert consistency. All around, it’s the kind of show you can enjoy with a bit of privacy…or out in the open if you’re into that sort of thing. What could have been a mere monster mash is a rather simple tale about overcoming prejudices with a sexy twist.

The Penumbra Podcast

Be it you’re tuning in for the suspenseful cyber noir of private eye Juno Steel or the medieval misadventures of many a dreamy knight at The Second Citadel, The Penumbra Podcast is one of the more popular selections to have come out in years but has certainly earned its position among the greats. Excellently crafted with great characters and even greater mysteries to uncover, any path you choose guarantees hours of wit, whimsy, and wonderful angst.

Read more: Plug in, Press Play: Reimagining Podcasts as Games

Dark Dice

I personally feel like I’m still barely toddling into the realm of DnD podcasts which is a shame given how incredibly popular they are. An easy format thanks to the improvised storytelling aspects and the wholesome company of good friends with wild imaginations, but it takes far more than just setting up some sound equipment in your mother’s basement to make a session podcast worthy.

That’s why I highly recommend Dark Dice, a grim fantasy adventure following a lovably flawed party banding together to find the missing children of a nearby village while being pursued by a shapeshifting monster. Fool and Scholar Productions creates a solid atmosphere with the kind of interesting creatures, mysterious lands, and high stakes you find in the likes of Thrilling Adventure Zone and Critical Role. So roll for initiative and check it out.

Rover Red: Alone in the Apocalypse 

As someone so hung up on their own nostalgia that they still have Adobe Flash installed on their computer purely out of spite, it’s no wonder I’m still not over Rover Red: Alone in the Apocalypse, a gloriously short-lived science fiction thriller that debuted in 2017 and, much like a sentient implant drilled into my ear canal, hasn’t left my mind since. 

In this rather intense show we follow the adventures of Leah as she navigates the ruined remains of a post-apocalyptic world with only an artificial intelligence and the motivation to find her brother pushing her through increasingly difficult trials that a mysterious council, i.e. listeners, were able to vote on.

Even if there’s only so few episodes to spare, it’s worth a peak regardless for its iron hard tension, excellent world building, and blend of psychological horror and science fiction adventure that makes Ender’s Game look like Little Einsteins.

THE INFINITE NOW

As far as non-linear, artsy shows go, THE INFINITE NOW  is a short and sweet but certainly fun little detour. To describe the show’s premise is a bit of a tall order as it’s more or less a random selection of spacy monologues narrated by the show’s creator Richard Penner. But if you have a taste for surrealism, existential horror, and some atmospheric music, it’s an excellent selection to backtrack your next blunt rotation with some close friends.

The Meat Blockade

High-brow surrealist comedy with singing pirate frogs and lamb scrotum isn’t the kind of thing you’d be bragging about in your next book club but somebody’s gotta break the ice, especially if you’re in the similar company of Kafka enthusiasts. 

The Meat Blockade by the Hennesy brothers is a thrillingly absurd look into the unlucky life of Karl Berenger as he desperately tries to crawl his way back home after one single choice lands him in the gaping maw of Nighttown. Gorgeously edited, fabulously acted, and never slacking in surprises, it’s a wonderfully bizarre romp that wears its inspiration on its sleeves.

SAYER

A favorite, always going to be a favorite, and is still a favorite to this day. SAYER is the science fiction horror audio drama debut of Adam Bash who has weaved a positively fascinating if terrifying futuristic dystopia. And it’s through the eyes of the titular SAYER, as well as a number of other equally dysfunctional artificial intelligences, that we learn about the dark secrets and darker tragedies befalling the citizens of Typhon.

Hadron Gospel Hour

Hadron Gospel Hour is the kind of show your dad would like, maybe even my dad would like, but that hasn’t stopped teenage me or adult me from being insanely fond of easily one of my favorite audio drama sci-fi comedies.

With its wacky dimension hopping, reality bending mishaps, and chaotic duo of a mad scientist and average joe, Hadron Gospel Hour was Rick and Morty before Rick and Morty was cool, so it’s worth a listen simply for that level of hipster street cred.

Return Home

Small towns with big secrets is common ground to tread for many fiction series with varying levels of success. There’s something just so oddly humble about the hidden secrets of an average community being brought to the forefront and it’s things like Return Home that reminds me of the potential they have to be fun, wonderfully bizarre experiences. 

Though it may not be for everyone, Return Home is one of those shows that has a little bit of everything: comedy, strange supernatural forces, and romance all wrapped up in a package that’s so unashamedly authentic.

With a loveable trio as the leads and an interesting slew of monsters to pick from, this long trip to Melancholy Falls is a nice blend of creative and campy.

Adventures in New America

Night Vale Presents is nothing short of a seal of quality around these parts so it’s no wonder that shows like Within the Wires and Alice Isn’t Dead are such beloved audio drama favorites that still have just the slightest DNA of our favorite desert town in its veins. And though those shows are darling to me, Adventures in New America feels like a truly unique entity.

Branching off from the more Americana-esque vibes of Night Vale Presents other works, this show decides to walk in the pond of political satire with a cyberpunk twist. In this “Afrofuturistic buddy comedy”, tag along with best friends IA and Simon Carr as they wind up in increasingly more absurd heist missions on the dangerous streets of New New York City for the deliberate goal of landing in jail for the benefit of free health insurance. 

Be it you’re in the mood for social commentary or foul mouthed and funny exchanges, you’re bound to be seeing things in neon after one listen.

Steal the Stars

Written by Mac Rogers, Steal the Stars is the story of Dakota “Dak” Prentiss, a government worker on a secret test site. She and her team are tasked with looking after Moss, the comatose body of an alien named for the moss-like substance growing on its body, and its baffling ship that emits deadly waves.

The project is so dangerous that Dak’s higher-ups have completely forbidden the team from becoming attached to each other. No friends. No confidants. And definitely no hookups–which becomes more difficult when the painfully attractive Matt Salem is hired. What starts as a pulpy romance slowly turns into a political intrigue thriller, a heist, and one of the most memorable final episodes in audio drama to date.

Harlem Queen

Audio drama is known for being heavy on the sci-fi and horror, but that doesn’t mean there isn’t great realistic fiction. Based on the true story of “Numbers Queen” Madame Stephanie St. Clair, mobster and gambler, Harlem Queen is a historical fiction podcast set during the Harlem Renaissance. Harlem Queen is jazzy, glamorous, and exciting–but it also doesn’t shy away from the realities of being black, and especially being a black woman, in the American 1920’s.

Wolf 359

Wolf 359 was an audio drama space opera, set in a massive space station orbiting the eponymous red dwarf star. What starts out as a lighthearted story about the lackadaisical protagonist Doug Eiffel being bored in space eventually becomes an action-packed, dramatic, heart-wrenching story about the cost of the greater good, the path to redemption, what it means to be human, and overcoming trauma. Wolf 359 concluded its four-season run at the end of 2017, making it a perfect completed story to listen to without worrying about staying current.

The Big Loop

The Big Loop is a somewhat sci-fi, somewhat magical realism anthology series created by Paul Bae of the well-known horror fiction podcast The Black Tapes. Each episode of The Big Loop is a different story, meaning you can skip around and jump in whenever you’d like. Each episode also feels like a different genre: “The Studio” is a sort of ghost story, “YOU” is about an astronaut and her AI, and “All God’s Children” is somewhere between comedy and Lovecraftian horror. If you’re in for a supernatural story with some heavy emotional punches, though, “Goodbye Mr. Adams” is a great place to start.

CARAVAN

A product of audio drama cornerstone The Whisperforge, CARAVAN is a buckwild journey into a story about demons, vampires, banshees, and the caravans that slay them. Protagonist Samir is a play on a typical nerdy everyman genre fiction hero, with the important differences that he’s queer, Desi, and explicitly not thin. As Samir falls into an otherworldly, weird west canyon, he teams up with a traveling group of demon hunters but winds up seeing how he can change their ways to be more ethical. CARAVAN plays with genre, the hero’s journey, and eroticism in one big, unabashed, thrilling bundle.

36 Questions

If you’re looking for a realistic fiction story you can get through in an afternoon and you’re not against the idea of musicals, 36 Questions is a great first foray into audio drama podcasts. This 3-part limited series is a full musical about a husband and wife who are recently separated and their attempts to rekindle their romance–or snuff it out for good. The songs are gorgeous and catchy with lyrics that balance profoundness with authenticity. It’s a fiction podcast you won’t be able to get out of your head, whether because of the songs or the incredible characters singing them.

Alba Salix, Royal Physician

Alba Salix is a comedy audio drama about a royal physician in a fantastical realm, trying her hardest to make her patients understand common sense. It’s one part Scrubs, one part Monty Python, one part Robin Hood: Men in Tights. It’s an easy listen even with an overarching plot that delivers fast-paced jokes and ridiculous characters. If you want to get an introduction to audio drama podcasts but maybe without so much drama, Alba Salix is delightfully whimsical, light-hearted, and hilarious.

The Amelia Project

The Amelia Project is a comedy audio drama about a company that helps clients fake their deaths and start anew, complete with faked identities. Each episode is a consultation with the prospective client to find out why they want their death faked, how they want it do be faked, and how they want to come back. The comedy is absurd and twisted without ever being to gritty or macabre. The level of creativity in The Amelia Project is already enough to make it a great listen, but the acting and sound design are both just as impressive.

For more on The Amelia Project, make sure to read Morgan Hines’s interview with its creators.

Greater Boston

Greater Boston feels like the Mike Schur equivalent in the podcast world. Like Brooklyn 99 or Parks and Recreation, Greater Boston takes place in a hyperbolic version of a real place. Like The Good Place, that level of hyperbole is sometimes brought to bizarre high-concept episodes with an almost supernatural feel. Greater Boston takes place after the world’s most boring man dies on a roller coaster, and the podcast only gets more surprising, hilarious, and intriguing from there.

Fan Wars: The Empire Claps Back

Rom-coms are finally returning to popular culture, including in podcasts. Fan Wars: The Empire Claps Back is a romantic dramedy about two fans on the opposite sides of many debates in the Star Wars discourse. It’s a classic setup: two hot-headed opponents make assumptions about each other, expect the worst from each other, and then consistently surprise themselves when they find common ground and maybe even common attraction. Wrap the premise up in some cosplay and give it a lightsaber and you’re in for a great listen.

Limetown

Limetown is an audio drama that straddles the line between science fiction and horror. Framed like an investigated journalism podcast a la Serial, Limetown follows a reporter trying to find out what happened to a town where everyone suddenly went missing ten years ago. Limetown packs so much character development into its first season, with most episodes following a specific interviewee, but it balances character with one of the most riveting plots I’ve ever heard. After several years, Limetown is returning with its second season on October 31st–yes, Halloween–2018, as well as releasing a prequel novel set when Limetown was founded.

The Bright Sessions

The Bright Sessions is a character-driven audio drama about people with superpowers going to therapy. Don’t shy away if you’re not a fan of big superhero blockbusters, though–The Bright Sessions is much more Friday Night Lights than The Avengers. It’s a gorgeous character study, but it also has a plot that focuses on government conspiracies, well-researched discussions of mental health, and some beautiful love stories. The Bright Sessions is also being adapted as a TV show and three spinoff novels, so make sure to catch up first.

Marsfall

Marsfall is a newer addition to the audio drama world, but it’s already being regarded as one of the best in the scene. This science fiction audio drama follows a different character’s perspective each episode as they land on Mars for an expedition. The changing point of view adds depth to each part of its somewhat large cast while also complicating the ethics so often discussed in the plot. Marsfall also proves that large-scale action sequences are not only possible in audio, but can also be beautiful.

Station to Station

Station to Station is a horror audio drama that turns the audio medium on its head. Plenty of audio drama podcasts give a reason for their story to take place in audio, but Station to Station subverts this with internal monolgues and changing perspectives. This fiction podcast follows a researcher on a massive ship whose research partner never showed up for the voyage–but did leave the protagonist some audio recordings. Station to Station is an audio drama that you could listen to casually, but it’s best when given the time and attention one might give Lost or Westworld, and it merits just as much theorizing.

The post 15 Audio Drama Podcasts to Get You Hooked on Fiction appeared first on Discover the Best Podcasts | Discover Pods.

My relationship with horror is an odd one. I’m the kind of person who can recall the events of Harlan Ellison short stories and will pass a compliment to any cute girl I see in a Junji Ito sweatshirt while in the same breath admitting I couldn’t sit through SAW. 

One of my favorite books is House of Leaves and I’ve got a massive soft spot for Perfect Blue, Black Swan, and the 2018 remake of Susperia but even I still need to use my phone flashlight to walk to the bathroom at night. And it’s just not Halloween until I’ve had a back to back marathon of The Love Witch, The Craft, and Jennifer’s Body but throw Tusk in the mix and the night is ruined.

Horror is such a subjective topic with audiences often leaning one direction or the other on what they consider good, let alone scary so confronting someone with the question of what scares them can vary from the inevitability of death and the possible bleakness of the afterlife or being rampaged by skeleton pirates. 

As a fan of consuming multiple pieces of fictional media I can say I’ve never seen more ups and downs than I have with the horror genre and I can confirm the same goes for podcasts. 

The Usual Suspects

We’ve all heard it at least once: A crackly found audio occult study done by an ambitious twenty-something exploring some sort of mysterious rural area. Along the way they come across a batch of eclectic strangers, some foes but mostly friends who either encourage or discourage our protagonist’s belief in the supernatural. 

Because this abandoned town could be host to a multitude of demons/ghosts/cults/serial killers/monsters or possibly all five because a town with multiple secrets is always better than one.

This is the setup of the typical horror docudrama, something of a stalemate in the podcasting world. And my, how stale it truly is.

It’s Small Town Horror, it’s The Black Tapes, it’s The Last Movie, it’s TANIS, it’s Diary of a Madman, it’s Limetown and Rabbits and it’s making me very bored.

The Public Radio Alliance podcasts (Rabbits, TANIS, The Last Movie) pretty much cornered the market on these types of shows and though I’m always a fan of a juicy mystery, something about their content, as well as those who try to emulate their style, just fails to be scary–which I imagine is a major thorn in the side of something in the horror category. No matter how polished, no matter how expertly produced, the horror docudrama setup has always been such a slog to experience. 

Not to be a snob about these things, but something about the formula just reeks of a sort of Blair Witch Project level of predictability, even if you want to liberally call it a homage to the found footage genre. 

Trends are inevitable in art no matter the medium and even audio drama is no stranger to piggybacking off established success.

Do you remember that time when all horror video games were about zombies and then after PT (the playable trailer for a since-canceled Silent Hill game to be titled Silent Hills) made a splash before getting erased from play stores worldwide, indie developers were renting out one endlessly looping childhood home after the next? And don’t even get me started on horror movies by directors who have only seen Poltergeist and Paranormal Activity in the last ten years and still think the next big thing is haunted houses and creepy kids possessed by demons. 

Horror podcasts don’t have many zombies but they certainly have the mysterious identity/mysterious town/mysterious mystery routine down pact. I just feel like horror can be more than just amnesiac discoveries of oneself, of waking up in abandoned rooms with blood under your your fingernails, or creepy strangers and fuzzy, mic interference. 

Why is it almost always places heavy with fog and rain and big lumbering trees that have all the ghosts and ghouls? Ever been to a suburb? Wouldn’t the contrast of an idyllic picnic spot or luxurious golf course be all the more interesting if there was a gory murder mystery hidden beneath the surface? A bit of narrative contrast can go a long way and frankly one show taking place in Oregon and the other in Nowhere, Washington is a road trip certainly not worth my gas money. 

Give me details about the corpse floating in a fountain at a California strip mall then we’ll talk.

Die Laughing

While still on the topic, I can’t help but mention shows that are still nestled into the horror genre but are defined more as comedies inspired by the aesthetics of slasher films and ghost stories. Combine gore with good laughs and you can produce some interesting results.

Why do you think things like Rocky Horror Picture Show, The Addams Family, and Scooby Doo still thrive even in this climate? If you can’t be the next new scary movie, you can always try to be the next Scary Movie.

Horror is scary, but horror can also be stupid, campy fun, just ask anyone whose seen a Christopher Landon movie. We wear rubber masks and eat our fill of candy not because it freaks us out but because it’s a good time and honestly it’s the shows with spooky hosts rather than spooky circumstances that’s really caught my attention as of late. 

Kind of like the second coming of Elvira: Mistress of the Dark, it feels like a commentary on horror tropes while still embracing why exactly we even like this kind of stuff in the first place. (Editor’s note: I simply cannot see an Elvira reference in 2021 without taking time to say congratulations to Elvira for coming out and sharing 12 years with her girlfriend. We queers have always loved you and we love you all the more now.)

Less is Morgue has a kitchen sink of undead and otherworldly beings, Haunted House Flippers combines Extreme Home Makeover with Ghost Hunters, and Death by Dying and Brimstone Valley Mall places a lot of the perspective on the titular monsters. If anything, I’ve found I’ve been deeply enamored with horror shows that take the perspective off of the usual human everyman and works to humanize the beasts we’d normally be avoiding all together. And the results are often just so hilarious that you wouldn’t have it any other way. 

How to do Horror 

Long time readers might know about a past article of mine where I discussed scary moments in otherwise non-horror based audio dramas. 

Even podcasts that don’t specifically focus on horror can utilize common fears to generate more authentic stakes. Wolf 359 deals with the psychological effects of isolation and paranoia, I honestly really enjoyed the bite-sized thrillers done by The Long Hallway and the ways the tension just absolutely grabs you in stuff like The Penumbra or Girl in Space is unbeatable.

Then there are more traditional horror shows like I Am in Eskew and The Magnus Archives that approach their concepts from an angle of existential dread with a nice sprinkling of body horror to keep things interesting. 

I feel found audio horror podcasts have tried and tried again to zero in on the horror of discovery, of man knowing things man simply shouldn’t know, but it always falls flat as it’s dragged from lab to home to empty town to recording booth over and over again instead letting the impact of the reveal do the talking for them.

And with the primary usually being some sort of monster or event that the whole series is building up to, it often runs into the problem of over-explaining and ruining any potential for a gray area for our imagination to wander. 

This breaks such a big rule in audio storytelling where the lack of visual input is entirely the point. Nothing is scarier than nothing, after all.

Read more: The Parapod: The Haunted House Investigation That Lied

For example, one of my favorite minimalist horror shows to this day is SAYER which is nothing like a docudrama but a sci-fi story characterized by its dense, oppressive atmosphere and told from the perspective of an A.I. And though it starts off as this self-contained glimpse into the future, it’s growing cast of characters and world building serves to develop a conflict of conflicting powers, devising a sort of mechanical Cold War.

There are so many ways to create authentic tension and fear that you may not even need the horror label to sink your narrative claws into listeners. After all, not all horror media needs a big scary monster pushed into the forefront, there are already plenty of human fears lurking around our everyday lives.

Horror is Not Hopeless 

I’m not implying horror shows can’t accomplish what they set out to do, it’s just that the avenues horror podcast writers take can feel so trodden and overdone to the point it all starts to blend together. 

Serial killers and cults and memory loss-those are inherently freaky concepts, but when one show after the other is playing that same tune we’ve heard a million times before it’s not even worth dimming the lights for. 

Pacific Northwest Stories makes good, high quality work but it’s reliance on comfort zones has created a template too many people are eager to fill. Horror is hard to pull off but people aspiring to be the next Stephen King need to stop borrowing overused tropes and start looking deep into the kind of scary ideas that will leave listeners speechless, not asleep. 

And besides, a lack of originality? Well, that’s simply terrifying.

(Editor’s note 10/15/21: Edits have been made to distinguish the differences between Pacific Northwest Stories, or PNWS, and the Public Radio Alliance, or PRA.)

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