Designing a podcast studio is crucial to creating high-quality audio content. A well-designed studio ensures that sound quality is consistent, and unwanted noise is minimized. In this article, we will discuss the importance of acoustic treatment and how to use acoustic panels to improve the sound quality in a podcast studio. We will explore the different types of studio acoustic panels available in the market, their placement and positioning, and how to calculate the ideal amount of panels required for a given space. 

Additionally, we will discuss other essential elements of podcast studio design, including room size, equipment, and furniture. Whether you’re a beginner or a seasoned podcaster, this article will provide you with practical tips and guidelines to help you design a podcast studio that meets your needs and budget.

Acoustic Panels: The Top Priority for Achieving Sound Quality

The beauty of podcasting in 2023 is that the barriers to entry are very low.

All you need is a computer, internet connection, and a voice to send your content into cyberspace.

While this is exciting, it is important to remember that the democratization of content consumption is just as real. Listeners have unprecedented choice in what they download. Therefore, if your podcast sounds elementary, it will not be taken seriously by your target audience and relegated to the dark recesses of the internet.

Aside from creating engaging episodes, guaranteeing professional-caliber sound quality is arguably the most important aspect of achieving podcasting success. Listeners simply won’t give grainy, distorted, or hard-to-hear podcasts the time of day.

The good news is that you don’t need to completely remodel a room of your home to achieve optimal sound quality. Modern acoustic panels adhere to walls in a profile similar to a hanging picture frame and can absorb close to 100% of sound when properly deployed. They are usually wrapped in a decorative fabric that not only improves sound quality in the studio, but also enhances the recording ambience.

What is the best insulation for acoustic panels?

Well, there are several options, all of which have their own unique benefits. Some of the most prevalent include:

• Fiberglass – this is arguably the most popular type of insulation for acoustic panels. Fiberglass panels have a very high soundproofing density, meaning that they do not require a super-thick batt to absorb sound. When properly deployed, they can provide a noise reduction coefficient (NRC) of .99, just short of the industry standard (1) for complete soundproofing.
• Mineral wool – this is another material that can provide an NRC close to 1. While it is a bit thicker than fiberglass to achieve the same results, it does have the benefit of also providing some weather insulation as well, making a good consideration for exterior recording spaces. The downside is that it is more expensive and harder to come by.
• Rigid polyester – this is a good option for studios that want very low-profile, dust, and allergen free panels. Rigid polyester is readily accessible and affordable. The downside is that its NRC is much lower–around .7–and that it offers little utility against lower frequency sounds.
• Foam – foam is the most basic type of sound insulation panel and usually has a price tag to reflect this. The benefit of choosing foam is that textured surfaces create more sound-absorbing surface area than footprint on the wall. The downside to foam is that the aesthetics are extremely limited and that it has a tendency to deflect sound, rather than absorb it.

When talking about acoustic panels, you may have flashbacks to those light-hearted Hollywood romps where aspiring garage bands tape egg cartons to every square inch of the walls to soundproof the space. (*Editor’s Note*: Guilty)

That is not the case with modern acoustic panels. 

While rigid polyester and foam products may require a bit more wall coverage, fiberglass and mineral wool panels can usually achieve their optimal NRC in much less space, usually around 15-25% of wall area. 

While that may sound a bit technical for the budding podcaster (you’re just trying to make your show, right?), it means that you have quite a few options and price points that you can explore.

Some of the more advanced acoustic panels for walls blend right into the interior space to the point where you can’t visually tell they are serving an acoustic function. That’s great if you’re converting some living space in your home into a dedicated podcasting studio.

Ask any real estate agent about the resale value of building material that blends into the background versus something that sticks out like a sore thumb from the 90s. And since everyone should have a podcast, I think we’re going to see more of these retrofitted, dedicated spaces as content creation becomes one of the last bastions of the workforce.

Create a Functional Recording Layout 

Although acoustic panels are the top priority for creating a high-quality podcast studio, they are far from the only consideration. It is also critical to create a set-up and workstation that promotes optimal productivity. Some ideas include:

• Include an adjustable height sit/stand computer desk to promote ergonomics and carefully organize all scripts and facilitate note-taking during recording
• Consider a futon to comfortably accommodate any studio visitors 
• Replace a hinged door with a sliding pocket door to maximize square footage in the space

It is also very important to have all recording equipment on hand and well-organized for immediate access when recording episodes. This includes microphones, pop filters, and any cables/cords for connecting external recording hardware.

Go the Extra Mile When Designing Your Podcasting Haven

In an increasingly crowded podcasting scene, professional sound quality can be the difference between a monetized podcast and one that only mom listens to. This begins and ends with studio design. While choosing the right acoustic panels is the first place to start, don’t neglect the importance of creating a comfortable and productive work atmosphere as well.

For more ideas on how to optimize your dream podcast studio, head over to Discover Pods today for ideas and inspiration!

The post Build An Excellent Podcasting Haven With The Best Acoustic Panels appeared first on Discover the Best Podcasts | Discover Pods.

When you’re in the studio and recording, the last thing you want to have happen is for your signal to get weak or distorted. That’s why it’s important to pay attention to the quality of your cables — especially if you’re using them for professional purposes such as live performances or studio work. That’s not for rock stars, that goes for us podcasters as well.

What is an XLR Cable Used For?

An XLR cable is used because it is able to carry a balanced signal. Whereas your standard 1/4″ or 1/8″ cable that you would see in something like a headphone jack carries an unbalanced signal. An unbalanced signal can pick up unwanted background electrical signals from the environment that creates an audible humming noise. Since an XLR cable can carry a balanced signal, it eliminates the possibility of that hum.

Usually. The success of eliminating that hum comes down to the quality of the audio equipment and the quality of the cables used.

Many people don’t realize that there are different grades of XLR cables out there from cheap ones made with bare copper wires (which can cause interference) all the way up to high-end options that use silver-coated copper wiring instead.

And while those kinds of expensive cables sound great when they’re working perfectly, they can also be prone to failure if they aren’t properly maintained! So what do you need to know about these types of cables? Let’s dive right in!

How do you know if an XLR cable is good quality?

The first thing you should look at is the cable’s shield. If you’re looking at a 3-pin male XLR, then it will have a braided shield over both pins 1 and 2. However, if you’re looking at 4-pin male XLR, then pin 1 will have a braided shield and pins 2 and 3 will be bare wire.

Another thing to look for is the number of strands in the cable’s conductors. The more strands there are in each conductor, the higher quality your cable will be. A good rule of thumb is that two or three stranded conductors tends to be adequate for many applications but going up to five or six strands can provide extra protection against interference from other sources like power lines or lighting cables (especially important if working with high-power devices).

Finally, make sure that any connectors are made out of silver-plated copper rather than plain copper which is much less durable than its precious counterpart — especially when handling large amounts of current over long periods of time!

There are also other factors such as capacitance between wires that we won’t go into here but suffice it say: use good quality XLR cables whenever possible!

XLR cables are made up of four primary parts the conductor, inner insulation, braided shield and outer insulation.

XLR cables are made up of four primary parts: the conductor, inner insulation, braided shield and outer insulation.

The conductor is the center of your cable that carries the signal. Typically made from copper or copper-clad steel, it can also be silver or gold plated for better sound quality in some circumstances. The more strands in a wire, the better it’s going to be at delivering that signal over long distances and through multiple devices before experiencing any deterioration.

The inner insulation is what prevents shorting out your equipment when you’re plugging something into an XLR jack with bare wires on each end (which we do not recommend). It’s typically made from rubber or similar materials to protect against moisture exposure as well as abrasion damage caused by moving parts within other components like switches or buttons on machines where these connections are used frequently throughout their lifespan – such as musical instruments!

Ask any guitar player who gigs, and tries to go cheap. It doesn’t work out well. Ask any musician with a home recording set up, it’s worth the investment.

The braided shield protects against electromagnetic interference coming from outside sources like computers running nearby during recording sessions; even if they’re not on at this time but may have been recently turned off (or worse yet broken down completely), they could still cause problems due to residual energy still lingering inside their circuits even after powering down completely.”

The conductor is the center of your cable that carries the signal.

The conductor is the center of your cable that carries the signal. It’s made from either copper or silver and it’s this wire that creates an electrical current that ultimately powers your microphone.

The conductor has a huge impact on how good your cable sounds and how much energy it can carry across long distances without losing any quality. The problem with cheap XLR cables is that they use smaller conductors, making them less effective at carrying signals to and from equipment like microphones, mixers and other audio devices.

Copper is cheaper than silver because of its abundance but it also has more resistance when carrying a current than silver does; this means if you have a high-quality recording setup where everything needs to work perfectly together then copper will cause more problems than good ones! Silver is better suited for high-end applications because its unique properties allow it to transfer signals faster through thicker cables without causing any noise or distortion in sound quality

The more strands in a wire, the better it’s going to be at delivering that signal.

The more strands in a wire, the better it’s going to be at delivering that signal. In fact, if you want to deliver a really strong signal over long distances (like from a stage to the soundboard), then more is definitely better. So it makes sense that when you’re buying cable for your home recording studio or live sound setup, you’d want something with the most number of strands possible.

But how many strands are too few? What’s an acceptable minimum? And what’s too much? Let’s take a look at why these questions matter and how they’ll affect your music production workflow.

Cheap cables often use bare copper wires with not many strands.

The number of strands used in an XLR cable can range anywhere from 4 to 100, with the latter being the most expensive.

If you’re looking for something affordable and functional, then you’ll probably be satisfied with an 8-strand (8S) cable. These cables are made up of 2 copper conductors that run parallel to each other. The central conductor is usually thicker than its partner so as not to interfere with any signal coming through it.

The more strands in a cable, the better your sound quality will be because there’s less chance that interference will occur between them. This is particularly important when recording vocals or instruments such as guitar amps where signals need to remain pristine if they’re going into your DAW software later on for editing purposes

Expensive cables use silver coated or oxygen-free copper wires in multiple strands this helps to reduce interference and results in a better sound.

So why does a company like Belden, or Warm Audio, which is well known for making cables for the military and NASA, produce audio products that are so expensive? The answer lies in the materials used. Expensive cables use silver coated or oxygen-free copper wires in multiple strands this helps to reduce interference and results in a better sound. Every single wire is individually shielded against noise, ensuring that your signal is clear at all times. The outer jacket consists of steel braided armor which protects the cable from damage caused by crushing or abrasion.

This is not to say that cheap XLR cables do not have their place; we’ve used them ourselves during live shows when we’re not able to take our delicate equipment into the venue with us! Just make sure you pay attention to what type of material goes into making your cable before you buy one—you might be surprised by how much difference this makes!

You also have to look at the insulation around the conductor.

It’s important for the insulation to be of quality. Solid, foam and air are all common types of insulation. The main difference between them is their density; solid is the most dense and therefore offers the most protection against external elements. However, it may not be as flexible or lightweight as foam or air, which may make it more difficult to route through tight spaces.

The insulation should also be evenly wrapped around each conductor (what carries an electric signal). If one conductor has more insulation than another, they won’t balance out when you plug in your XLR cable into an input device (like a microphone). The result? A broken connection that could cause damage to either device or even start an electrical fire!

The next part of the cable is the braided shield, which is wrapped around the inner insulating layer to block out electromagnetic interference.

You know all that hum you hear in your headphones or speakers, and thus your podcast? That’s electrical magnetic interference messing with your cheap XLR cables.

Next, the braided shield is wrapped around the inner insulation. This layer of shielding provides a very effective barrier against electromagnetic interference and protects your audio from unwanted noise. Since it’s made with thinner wire than foil, it doesn’t add much weight or bulk to your cables either.

In addition to providing excellent protection against outside interference, woven copper braids are better at keeping moisture out compared to foil shields. However, they do cost more money because they take longer to produce and require more labor by hand. If you need XLR cables that won’t let you down when you are in situations where there might be humidity (such as during outdoor performances), then this extra step could save you money in the long run by preventing damage caused by water damage over time

Higher quality cables will have a braided shield because it does a better job than foil shielding at keeping out interference but it’s also more expensive to produce.

You can get inexpensive XLR cables with foil shielding, but if you’re going to be using them in a pro environment or an environment where RF interference is an issue, it’s best to go with braided shields.

Braided shielding resists electromagnetic interference (EMI) better than foil shields. This is because the strands of copper that make up the braided shield are much more tightly woven than the wire used in most foil shields that simply have a thin layer of metal applied over a single strand of wire. This makes it more durable and less susceptible to being damaged if you accidentally step on it or run into something with it hanging from your mic stand (which happens more often than one might think).

On the outside of your XLR cable is another layer of insulation.

On the outside of your XLR cable is another layer of insulation. This serves a dual purpose: it protects the cable from damage and keeps out moisture and other harmful elements.

If you’re getting cheap cables, chances are they have a thick layer of outer insulation, which can be difficult to bend; this means it will take more time to run your cables through tight spaces, creating an extra hassle for yourself or someone else who has to install them for you. You don’t want that!

On top of that, look for a smooth outer layer as well—bumps or uneven cables point to poor insulation and won’t stand up over time

Make sure you spend money on high quality XLR cables!

If you’re in the market for XLR cables, it’s important to understand what makes them different from each other. It’s important to remember that even if your content is brilliant, a hum or crackle will turn people off. Use a good mic, and a good cable to create your, amazing content.

There are two main types of cable: shielded and unshielded. Shielded cables have a metal mesh wrapped around them that prevents interference from electrical signals, while unshielded ones do not have this protection and are therefore more susceptible to noise.

In addition to shielding, both types of cable come with different plug connectors (XLR-3 or BLX) and terminations (male or female). The most common type of connector is the XLR-3 because it allows for balanced audio connections using three wires—the shield wire carries ground; the center wire carries signal current; and the ring terminal acts as a ground reference point between equipment units.

Conclusion

So, what does all this mean for you? If you’re looking to buy an XLR cable, we suggest buying a high quality one. There are plenty of options out there but they won’t cost you much more than the cheap ones so why not spend the extra money and get something that will last longer?

The post Buying Cheap XLR Cables? Here are 10 Ways to Make Sure You Aren’t Wasting Money appeared first on Discover the Best Podcasts | Discover Pods.

However, “how to start a podcast” seems to be the question most new entrants have. We hope to walk you through how to start a podcast with this comprehensive guide. We’ve talked about why everyone should start a podcast before. We’ve told you that you can set up a podcast recording studio for less than $100.

In several ways, podcasting is a relatively easy medium to dive into with ubiquitous pitches of low barriers of entry, affordable equipment, and the possibility to be up and running within just a few weeks. However, anyone who has ventured into podcasting knows that releasing your first episode is really just the start, and it is truly an uphill climb from there. 

Throughout this guide, we hope to provide you with a basic step-by-step on how to launch a show that can be syndicated and discovered on iTunes, Spotify, Stitcher, and more, as well as provide you with tips that will help make continuing your podcast an easier process. 

What is a podcast, actually?

What a podcast is, actually, an audio or visual serial much like a radio program, except you can listen on demand through your favorite podcast player.

Before you even begin podcasting, understanding what a podcast is, how it’s formatted, the history and background and how new listeners discover podcasts can be helpful. 

You are probably well aware that a podcast is a portmanteau of the words “pod,” taken from the word iPod, and “broadcast”, however, today podcasts are hardly limited to iPods. Both audio and video podcasts exist, however, we will largely be focusing on audio since it is the more popular format, and the growth of platforms like YouTube and Twitch have made video podcasts less common.

When a podcast episode is ready to be shared, the file is typically uploaded to a podcast host that stores the audio files and then creates an RSS (Really Simple Syndication) feed that can be distributed and synced with various online directories such as Apple Podcasts, Spotify, Stitcher, and more. 

While you can certainly download a podcast episode directly and listen as an MP3, it is the ability to share a feed with consumers through various online directories that makes podcasts so appealing. Rather than having to share files directly with listeners, the ability to subscribe and automatically be fed new episodes when they are released makes the process easier for both creators and audiences.

Unlike radio, you do not have to “tune in” at a certain time to find a podcast and because of the use of RSS feeds, distributors can share their episodes on as many platforms as they like and reach increasingly large new audiences. It’s scalable, on-demand audio.

Start Podcasting by Planning and Thinking Like a Podcast Listener

The biggest misconception of podcasting is that the average person can simply set up a microphone, share their thoughts on the news of the day or pop culture, and instantly find an audience. Really, starting a successful podcast starts right here. In the planning stage.

With the growth of podcasting, it has become increasingly hard to “break out” and much like YouTube, Instagram, or Twitter, lots of content is created and only ever seen or heard by a few followers. If you want to make a podcast for the fun of it, this may not be a concern, but for creators looking to build or grow a brand, share insight on a field of expertise or grow a large following, this step is by far the most important. 

If you decide to start a podcast, you’re going to be overwhelmed. Feeling overwhelmed at the start is perfectly natural.

To start a podcast takes hard work, and more work, and more work, and mo—

Why did you decide to start a podcast?

At the core, a podcast needs to have information that cannot be found elsewhere, in the form of research, opinions, stories, entertainment, or something else, presented by someone that the audience thinks is the best person to be presenting that information. You need to come across as a smart cookie.

If you want to start an interview show, you’ll need compelling guests, a unique angle in your questioning, and proven expertise on both sides. If you want to discuss pop culture or the news, the same applies.

For comedy, investigative, or any other form of podcasts you will want to determine if you are putting out content that has not already been done before, or at least not as well as you can do it. Essentially, ask yourself the question “Why me?” Why should a listener choose your show over the numerous other podcasts available? 

A podcast presented from scratch in a saturated market means you really need to drill down into your niche.

Thinking of these differentiators before you even begin is a foundational step to creating a successful podcast.

Why this topic to start a podcast?

This topic is perfect to start a podcast because it allows me to explore my opinion on the matter and share what I have learned. You may be thinking.

The perfect podcast exists somewhere between broad and niche, with enough content to return week after week with new information and enough specificity that it does not get lost in the mix of dozens of other similar shows. 

Often, it can be helpful to lean a bit more on the niche side for the sake of building a small but loyal audience dedicated to the exact topic you are planning to discuss. The old adage applies here: if you try to build something for everyone it won’t work for anyone.

Shows focused on specific pop culture or exact moments in history are proof that this can work. There are countless massively successful podcasts based on a seeming niche subject, here are a couple of my favorite examples:

• 99% Invisible is essentially a podcast about how design impacts our life
• The Adventure Zone started as a Dungeons & Dragons podcast
• Revisionist History explores and analyzes individual events in history

If you spend any time on the iTunes/Apple Podcast charts or read any other list of popular podcasts, it can be overwhelming how many popular shows either are hosted by celebrities or other personas with established audiences, as well as how many are created or distributed by big-name studios, networks or platforms.

It is no surprise that these shows can get an initial head start because they have a pre-established audience, but don’t be scared off or intimidated. Plenty of newbie podcasters make it too, and lots of big shows that are now tied to major networks began in bedrooms or basements. 

Ultimately, you’re going to be technically inclined to create the show you want. Sometimes it’s an art and that goes beyond podcast listing information.

Pros and cons of different podcast formats and what they look like

Some people may disagree with me here, however, here are the different formats of podcasts. Admittedly, it’s difficult to bucket some of these because there are always exceptions. 

Talking head and interview-style podcasts:

• Solo — one-person monologues 
• Solo with a guest — interviewing a special guest or personality such as Joe Rogan interviewing Dr. Jordan Peterson.
• Co-host(s) — you and at least one other co-host discuss topics

Narrative and serialized podcasts:

• Episodic documentary podcasts — each episode dives into a new theme, case, or idea
• Serialized documentary podcasts — a full season dedicated to one concept
• Fiction (both episodic and serialized) — fiction podcasts or audio dramas use creative writing and often sound effects for an immersive podcast

While there are pros and cons with every format, typically co-hosted and interview podcasts are easier to produce, but take effort to book guests, deciding on a topic, and are hugely dependent on the host(s) personality, rapport, and interview technique.

Narrative and serialized podcasts usually require more production effort including research, writing, editing, and sometimes travel. 

Create a plan to start a podcast

A common mistake is recording a single episode, setting up podcast hosting and RSS, publishing the episode, and then not having a plan for the episodes that will follow. We strongly encourage new podcasters to develop a plan for at least two months of episodes, which could be as few as two or three episodes or as many as ten or fifteen depending on the length and release frequency. 

There are a few reasons to do this. First and foremost, you will test if your concept holds weight. If you cannot record or even plan out this much content, chances are your concept is not developed enough to warrant a podcast.

Second, because regular publishing is so important, this lead time will hopefully prevent you from ever having to rush to create a new episode just to keep listeners on a regular schedule. Finally, you’ll get a chance to see if you enjoy the work behind podcasting and if it is worth investing more time and money in. 

Ideally, in building this two-month plan you will have a plan for several episodes on deck that can be released in consistent succession. Alternatively, you can calendar out when you will plan, pre-produce, and record different episodes if your topic is based on current events and cannot be recorded in advance. 

Oh, and what’s your budget? Do you find yourself asking…

How to start a podcast for free?

To start a podcast for free, you’ll need to find a host. Once set up with the hosting service and your microphone or phone/computer, it’s time to start recording. You should get a good microphone asap that you’re comfortable using since the quality of your voice is important for podcasting.

Naming your podcast – eg Choosing a Podcast Title

Arguably, the most important part of your planning. You might think you have a great name picked out already, but there are several factors you should consider in ultimately deciding your name. 

• Make sure there’s not an existing podcast with the same (or very similar) name
• Don’t restrain yourself. If you name your podcast after Star Wars, but then ultimately want to pivot to movies in general, you’ll face a difficult decision down the road
• Consider SEO. Though maybe not as sexy, you want your podcast name to be clear and intuitive to what it’s about. Think about how people will discover your podcast by searching. If you have a podcast about football, you’ll likely want the words “football” or “NFL” to be included in your title.
• Own your domains. As a podcasting best practice, you should have a website, Twitter, and Facebook pages at a bare minimum. Consider the availability of these handles and domains when choosing a name. 
• Make it easy to spell and say aloud. This will help in the future with sharing. 
• That clever pun you like right now? It’ll get old after multiple years and hundreds of episodes.

Podcast Artwork

Podcasting is an audio format, why do we care so much about the artwork associated with your pod? Well, you know people still judge books by their cover and that’s a visual format or a movie by its poster. So, ask yourself

How to start a podcast and make money?

There are two ways to start a podcast and make money. First is creating a that needs to be discussed. That makes it more likely that you are going to have a large following. Second,if your product has such high demand it makes sense to start podcasting in order to gain exposure. It’s all marketing.

Importance of Podcast Cover Art

In conjunction with your podcast name, think about how your thumbnail icon will draw new listeners in and be iconic and easily recognizable. Leverage your designer friends to help you create an idea, and if you have the budget, consult a professional graphic designer or logo maker. This thumbnail image can also serve multiple purposes as a logo on your website and Twitter and Facebook avatars. In short, it’s a worthwhile investment. 

The important thing to think about here is to stay simple and always keep reminding yourself how small this will appear to most consumers. For most potential listeners, this thumbnail will about an inch long and wide. Don’t go overboard with the design, keep the font to a large size, and stay simple on the design and color scheme. 

For Apple Podcasts, cover art needs to be at least 1400 x 1400 pixels and can go up to 3000 x 3000 pixels. 

Here are a few examples of podcast cover art done right.

How to record your podcast

Ok, whew. You’ve planned your podcast, settled on a format, named it, and bought the necessary domains so you have a digital presence. Now the fun stuff! Recording your podcast will require a learning curve and you’ll get much, much better with every subsequent episode.

Don’t be surprised if the first one takes way longer than expected and you end up trashing it anyways, these things take patience.

Podcasting Equipment

This (hopefully) shouldn’t come as a surprise to you, but you do need some podcast equipment to record a successful show. You don’t want to simply lay your iPhone down and record a 30-minute voice memo and call it a podcast. 

At the basic level, here are the three things you need:

• A podcast microphone
• A podcast mixer
• Podcast software — editing and recording

Podcast microphones

A consequence of the massive amounts of podcasts available at everyone’s fingertips is increased competition, listener expectations, and lowered patience.

Listeners only have a finite amount of time to listen to podcasts, they don’t want to bother with some crummy sounding show where they have to always have a hand on the volume button because the levels are all over the place. As a result choosing microphone equipment becomes paramount for a professional sounding production.

That said, every podcaster has a unique budget when it comes to podcast equipment. Here are our picks for podcast microphones at different budget levels:

• Blue Yeti
• Audio-Technica Cardioid Condenser Microphone
• Rode Procaster

Related reading: detailed breakdown and reviews of podcast microphones, and podcast headphones.

USB mixers

Mixers are sometimes neglected by first-time podcasters …. and it shows in their work. A mixer is essential for podcasters to create a nice leveled show where the audience can hear a crisp voice that’s not muddied by other noises.

Similar to podcast mics, USB mixers typically run the price spectrum. Here are our picks:

• Behringer Q1202USB 12-Channel Mixer
• Yamaha Mg10Xu 10-Input Stereo Mixer
• Mackie ProFXv2, 8 A-B Box

Related reading: a comprehensive guide to the best USB mixers

Podcast Audio Editing Software And Podcast Recording Software for New Podcasters

Podcast recording software allows you to easily record your podcast, export the audio files, and cut and edit your episodes. As with most things in life, the higher-end tools give you more features. Let’s take a quick look.

For recording and editing: 

• Squadcast

Squadcast is a revolutionary follow-up to Skype, designed as podcasting software from the ground up. It offers a great interface for both listeners and podcast hosts. Squadcast supports high-definition audio and turns any desktop or laptop computer into a podcast studio. 

The editing suite included with Squadcast is simple but strong enough that you can create the whole show in the software without much issue. Each voice has its own audio track, so you can balance out your guests into one smooth experience.

Major companies like ESPN have jumped all over Squadcast as their preferred mobile software platform, so it is worth taking a look.

You can get started with Squadcast for $10 a month for 2 hours of audio, though you’ll probably want to step that up pretty early on.

• Alitu – The Podcast Maker

Alitu is a great tool to level up your podcast creation stack. As a complete podcast software, Alitu streamlines your creation process, and rather than bog you down with any stress-inducing tech, it gives users the tools to get the job done, quickly and smoothly. 

The ease of Alitu is obvious from Day 1 of your 7 Day Trial

The core features of Alitu are simply explained and similarly simple to use:

• Record your podcast episodes – the built-in call recording tool allows you to record solo into the platform or invite a contact via direct link.
• Intuitive podcast editing – easily select, cut, and rearrange clips while also incorporating set and forget intros and outros for consistency across your episodes.  
• Automated post-production – no need to worry about mastering your own podcast, Alitu will automatically standardize your volume and leveling and remove background noise. 
• Direct publishing to favorite hosts – you can connect Alitu directly to most main hosting platforms in order to get your podcast live as quickly and smoothly as possible. 
• In House Hosting – We’ve been tipped off that Alitu is on the verge of launching its own hosting tool, this means that it will be the first all-inclusive A-Z podcast software on the market. Ps, you heard it here first!  

Existing Alitu users have shared their experiences of having taken their production time from anywhere between 2-5 hours down to 10 minutes per episode. Other users are just happy to have a platform where they can produce professional content without the technical know-how.

*Editors Note* New users can get a 7 Day Free Trial with this link.

• Audacity
• Pro Tools First
• Adobe Audition
• Hindenberg Journalist
• Zencastr
• TapeACall Pro 

For planning and workflows:

• Asana 
• Airtable
• Trello 
• Basecamp 

Book a Podcast Studio Instead

If buying equipment and the steep learning curve isn’t for you, then we highly recommend finding a podcast studio in your area. Podcast recording studios have been popping up across the U.S., Canada, Europe, and Australia for years, and can offer you easy access to professional recording equipment for minimal expense. 

Most studios can offer expertise from professional sound engineers, podcast producers, and audio editors, so all you have to do is show up and record. Plus, if you seek video recording on top of your audio recording needs, many podcast studios are beautifully designed to ensure your podcast brand is represented well on video platforms.

To find a podcast studio near you, start by searching on podcastrental.com, the web’s only podcast studio booking site. With hundreds of studios available at a wide range of hourly price points, you’ll find the right recording experience for your production needs.

Podcast recording tips

As with most things in life, getting the right tools can only take you so far. The real power is using these tools the right way to get the most out of your investment. Here are some easy tips to record your podcast.

1. Microphone Choice

In the modern recording industry, there are endless amounts of microphones on the market to choose from. Some specialize in vocal recording, while others specialize in specific instruments and applications. Similar to most industries, a higher-priced microphone typically means higher quality audio produced.

For a podcast, a microphone specifically tailored to vocal recordings will be preferred, such as the Shure SM7B. It’s a durable, and reliable mic that produces fantastic audio quality for the price, and can even be seen on the ever-popular Joe Rogan podcast. If that wasn’t enough to convince you, it was even used to record Michael Jackson’s Thriller album. How’s that for quality?

2. Microphone Placement

A simple adjustment can make all the difference. Having your microphone too far from the mouths of those speaking on the podcast will capture a much lower signal volume while having it too close will most likely produce a distorted signal.

The optimal distance between the person speaking, and the microphone is about three inches from their mouth. This will allow you to capture their audio at a healthy volume, without it distorting.

3. Use a Pop Filter

A pop filter is used to shield the microphone from fast-moving air generated by plosives during speech. Words such as “pop”, or “planet” that have a strong “p” sound at their beginnings, can cause spikes in the audio due to the strength of the plosives that those words create.

Another benefit of using a pop filter is to shield the microphone from any saliva that may be dispersed from the speaker’s mouth. This prevents the saliva from corroding the microphone, as well as keeping it cleaner for sanitary reasons. 

4. Proper Speaking

Having the correct microphone and placement won’t mean much if the person participating isn’t speaking properly. To ensure the first two points aren’t wasted, make sure that each participant is speaking slowly and clearly. Each person should be speaking at a comfortable room level, without any huge jumps or dips in their speaking volume.

Any kind of jumps or dips will only make things more difficult for you later on when processing your audio. Any random yelling or screaming of an overly active individual will likely incur distortion, while any sort of whispering or low-level talking will require additional volume adjustments. 

5. Setting Levels

After you have properly set up your microphone, it is time to test and set your audio levels. While proper mic placement will help with avoiding distortion, it is not enough. You need to set proper gain levels to ensure that the microphone’s signal is strong enough to be sent to your audio interface or mixer.

To keep things simple, gain is the amount of input signal. Too much gain will result in a distorted signal, while not enough will result in too quiet of a signal. Your gain level will be set within your audio interface or live mixer that you are recording into.

To set the optimal level, have those who are talking on the podcast speak into the microphones, and set the levels so that they are within the green, and just under yellow on the signal meters. Avoid any audio being in the red, as this means you are clipping and thus distorting.

While setting levels, people tend to test or speak at quieter volumes than when they perform. To account for this, set your levels slightly lower than what’s recommended, and see how much louder they are once the recording starts.

This is also when you want to use your mixer to configure the headphone playback, which using a quality noise canceling headphone will help this. They’re a bit pricey, but they let you hear everything the mics are picking up.

6. EQ Signal Processing

The next step in ensuring the cleanest audio possible is processing the signal as it comes in from the microphone to the audio interface. If you have any outboard signal processors such as an EQ, or a compressor, you’ll want to run your signal from the microphone to these processors first, and then into your audio interface.

EQ or Equalization is the process of boosting or reducing certain frequencies in an audio signal to make it more pleasing to the ear. For example, if someone has a very low voice, you can reduce some of the low-end frequencies to account for their heavier or boomier sounding voice.

7. Compression Signal Processing

After EQing your audio, you can compress it for added control and overall balance. Simply put, compression sets a threshold that when an audio signal passes through it, the strength of that audio signal is reduced by a set amount, in order to bring down any sharp peaks in the audio.

Similar to the pop filter, it’s another way to eliminate any sharp peaks in the audio, making things much more pleasing for the listener. Both eq and compression can be done after the recording process, however, it does help to clean up the original audio signal as it is being recorded.

8. Cable Management

Often overlooked, cable management ensures that your workspace is clean, and organized and prevents any unnecessary accidents. Keep your cables wound around your microphone stands, and neatly organized towards your audio interface. The last thing you want is to accidentally trip on a cable, and have it rip out of your microphone, thus damaging your microphone or worse. 

9. Mixing

When recording multiple audio sources at once, it helps to have a mixer. Using a mixer will allow you to better control the audio levels of each microphone being used to ensure a more balanced mix between each individual speaking.

Each microphone will be plugged into a separate channel, from which you can control their respective volumes. From there you can run your signal from the output of the mixer to your audio interface for proper recording.

10. Room Acoustic Treatment

Lastly, you want to treat your room acoustically. Every room has a sound to it, which is determined by the room’s size, the materials used to make it, and any other objects within it. Whenever a sound is generated, its sound waves bounce off every surface within the room, creating what we call reverb.

Reverb (or echo as some people mistakenly call it) is the sound you hear after you clap in an open room, or those flutter sounds you hear in a hallway. Too much reverb can become an issue, and muddy up your audio quality. To ensure your audio is as clean as possible, you need to treat your room by dampening it with acoustic panels in order to minimize the amount of reverb hitting your microphone.

Setting up large acoustic panels on your walls, and ceiling if possible will absorb much of the sound’s energy, and reduce sound reflections on these surfaces, thus creating a cleaner sounding room for your podcast.

The thicker the panel, the better the sound absorption, and the more frequencies will be affected. Panels that are two to four inches thick will be your best bet here and provide you with the best quality sound absorption.

Producing your podcast

How to edit your podcast and podcast editing tips

Editing, like producing and recording, will take new podcasters some time to get the hang of. Unfortunately, it’s often one of the most time-consuming aspects of podcasting as well. Mastering your editing is crucial to a polished podcast that’s free of bloopers, long silences, and forcing your listeners to constantly adjust their volume knob. 

Here are our best podcast editing tips for beginners:

1. Adobe is your friend

Look, if you’re looking at little-to-no-budget for your podcast and you don’t want to get into other multimedia creative fields, ignore this tip and use Audacity. That being said, if you’re already doing a podcast, I’d be surprised if learning Adobe Audition wouldn’t benefit you.

The awesome thing about Adobe is that it’s not any harder to learn the basics than any of the free products, and your capabilities are endless. Once you learn how to use Audition for your podcast, it will be way easier to learn how to use programs like Premiere Pro, InDesign, and Photoshop for other projects that could grow your brand.

2. Learn keyboard shortcuts

While the time you take to learn shortcuts will slow you down a little at the very beginning, you’ll find that once you’ve used them for an episode or two they become natural and save a ton of time.

In Audition, while the quick select tool is turned on, you can right-click and hold to use the move tool, hold command+k to use the razor tool, and of course command+z to undo (if you’re anything like me, you’ll use this more than anything).

3. Eliminate “ums” and “uhs”

This is the simplest, easiest thing you can do to make your podcast, hosts, and guests all sound more professional. You can work with your host to be recorded and have the speech repeated if they stumble during editing so you don’t miss anything.

4. Record separately

If you want your show to be mistake-free, using video chat and headphones to talk while you record on different mics in different places can help. This gives you a different channel for each person, and you can just cut a cough or a sentence trailing off when someone else is talking. Having multiple tracks also gives you clear visual cues for transitions while you edit.

5. Make a template

In Audition, you can create a template of your own, and in Audacity, you can save a file that operates functionally as your template for future projects. Getting everything you use consistently (intro and outro music, transition sound effects, start and end markers) preset and in one place will save you 5-10 minutes on every single episode and won’t take any longer than that to set up.

A pod is something like a business and one insight we can draw from product development is starting planning your shows with a checklist early on. It’s a good habit to get into. That said…

6. Be creative!

Something as simple as intro music, transition sound effects, or how you end the show can connect your listeners to the specific show they’re listening to and subconsciously keep them coming to your show, and not just shows like it.

7. Use room noise often

One goal in editing is to make your show sound “unedited.” Jarring transitions or significant change in response time take distract listeners and take them out of the show for just a moment. To avoid these, record a 15-second track of “room noise” when you record the show and use that to fill in gaps when needed. 

8. Zoom in on your waveform

You’ll always want to make sure your audio sounds right first and foremost, but being able to see where people start and stop talking and the space between words is invaluable when it comes to saving you time. In Audition or Audacity, use “-” to zoom out and “=” to zoom in.

9. Keep consistent pacing

The first edit of the pilot of the 22-minute sitcom Arrested Development came out to around 45 minutes, but director Mitchell Hurwitz simply told them to eliminate all of the “white space” and it would come out the 22 minutes it was supposed to be.

This resulted in maybe the fastest-paced sitcom ever, and it made everyone from the writers to the actors seem extraordinarily clever—even brilliant—with jokes, you can’t even keep up with on your first watch. My advice in the way of pacing is mostly to stay consistent so the audience knows what they are getting into. Just know that a fast-paced edit can make hosts seem brilliant, but it can also sacrifice some of the thoughtfulness that comes with the podcasts we generally respect the most.

And don’t be afraid to rehearse. Walkthrough your podcast setting ahead of time so you’re prepared. It’s rare anyone gets it in one take or with their first draft.

10. Playback at a high speed

While you’re listening through your podcast for edits, the best way to save time is simply through quick playback speed. You’ll find that often five or ten minutes will go by with little to no issues, and sitting through that burns up the valuable time you have to edit.

By simply double- or triple-tapping “L” in Adobe’s signature “JKL” shortcut when you restart the playback is invaluable. Just make sure it’s at a slow enough speed where you can understand it and catch errors that need attention.

Can you use music in your podcast?

There are a lot of myths about using copyrighted songs within podcasts. Let’s dispel some of them here. You CAN NOT use copyrighted music if:

• It’s under 30 seconds
• You give credit
• You’re a non-profit

Another misconception is about fair use. Yes, you can use copyrighted music if it’s part of your discussion (i.e. you’re criticizing or commenting on it), but you can’t use music for no purposeful reason (i.e. as your podcast intro).

There are ways you can use music in your podcast, however. Here are a few free and paid resources we’ve compiled to keep your music for podcasts free of any royalty problems.

Publishing your podcast

So how exactly does the audio you record go from your computer all the way to Apple, Stitcher, Spotify, and the rest of the podcast directories? 

To put it as simply as I can, you need to create an RSS feed that points to respective audio files for the podcast and then submit this feed to the main directories.

Though it may sound complicated, it’s a pretty turnkey process if you find the right solution to partner up with.

Podcast hosting primer

Most podcast hosts do much of the heavy lifting for you, they store (or host) your audio files, generate the RSS feed, structure the metadata, and submit on your behalf to the directories of your choice. Still, you want to make sure the distribution hosting service they’re providing is up to modern standards for 2022. Every host we recommend has the widest distribution available and will distribute podcasts everywhere.

The key here in your decision making is finding a podcast host that’s right for you based on the features you need, your budget, the structure of your podcast, and the estimated popularity of the show. Podcast hosts typically price their services based on two things: storage and bandwidth. These terms may seem familiar to you, but here’s what they mean in the podcast world:

Storage — how many episodes are you recording and how long will they be?

Bandwidth — how many people will be downloading your podcast? Remember, when you’re just starting out you can sacrifice unlimited bandwidth and space for a partner that will help push your podcast out to the masses.

Ultimately, we’ve found Buzzsprout seems to be the podcast host that meets the needs of most new podcasters. Their starter plan comes with unlimited storage and a monthly bandwidth of 250GB — more than enough for new podcasters. Their analytics are also easy to use and provide comprehensive coverage. 

Best Podcast Hosting Services

Here’s a breakdown of other podcast hosts we’ve tried and tested, and if you’re looking for a more comprehensive breakdown of podcast hosts and their features, read this article about the best podcast hosting services.

Submitting your podcast to directories

You want people to listen to your podcast, right? Well, where do you listen to podcasts? List every possible place you listen — Apple Podcasts, Spotify, Pandora, Google Podcasts, Stitcher, Overcast, Pocket Casts, Radiopublic, etc. — and that’s where you want to be. 

Fortunately, if you have a sound podcast host, most do this for you with a click or two with an API connection. Since we recommend Buzzsprout, here’s an example showing how easy it is from their dashboard. And really, Buzzsprout is just about the perfect place to start a podcast. A Buzzsprout presented podcast, even one presented by Buzzsprout from scratch is a lot different than going it alone.

For the directories without a one-click solution from your podcast host, you can typically go to the directory, create an account, and paste your RSS feed to submit. 

How to submit your podcast to Apple Podcasts (formerly iTunes)

For the third time, if you have a good marketing podcast host they should do this for you. If you’re going a more bespoke route, here’s what you need to do: 

1. Test your RSS feed

Apple recommends new podcasters use Podbase to validate their RSS feeds. Simply paste your RSS feed URL and it’ll automatically verify if your feed is compliant with Apple’s standards.

2. Validate your podcast feed has the right metadata fields

Apple requires you to have the following fields:

• Podcast Title
• Description
• Podcast Artwork

You should have already finalized these three fields before reaching this point, but if you haven’t you need to now. 

3. Submit your podcast to Apple Podcasts

Go to iTunes Connect when you’re ready to submit. If you have an existing Apple ID use it here, if not create a new one. You’ll be asked to validate your RSS feed once again — use the same URL you used in the first step. 

Finalize which podcasting categories you’d like to show up in (up to three), the language of your podcast (use the two-letter language code) and if there’s any explicit material. When you pick a main category, there are a dozen subcategories to choose from, so be consistent when you find something that clicks.

4. When you’re done, click Submit. 

Apple claims the review process can take up to two weeks, but we’ve seen most are approved within a couple of days. You can check the status of your podcast review from within iTunes Connect. Previewing a podcast on iTunes is pretty straightforward and it should automatically be sent to your device when ready.

How to submit your podcast to Spotify

In a similar submission process to Apple Podcasts, Spotify requires the following to submit a podcast to their directory:

• Podcast Title
• Podcast Description
• Podcast Cover Art
• Podcast Category
• Language Selection
• At least one live episode

The episode requirement is the sole difference from the Apple process. If you don’t have an episode recorded yet, we recommend creating a 30- to a 60-second trailer to generate buzz and get your podcast on Spotify prior to the show officially launching.

When you’re ready to submit, go to the Spotify For Podcasters portal and click Get Started. You’ll again validate your RSS feed, enter the requirements listed above, review the generated feed preview, and click through the final prompts. 

Spotify typically approves podcasts faster than Apple, so you should see your podcast in their app in less than a day.

Content Measurement Audience Insight Engagement

At a certain point, if you want a successful podcast, you need to ensure that people are actually downloading, listening, and engaging with your show. If you’re putting all this work into recording then you need to be living, loving, and lusting after your metrics. The better, and more granular the metrics about your show are, the better off you’ll be.

It’s one of the most important factors in choosing a podcast host. Even if they submit your podcast everywhere automatically, if you can’t see the end result of those episodes, then you can’t tailor your show and grow your audience.

Really good hosting with detailed analytics can tell you a lot about your audience beyond downloads. They can tell you information like what device had access and what content platform or app the podcasts were downloaded to.

Growing Your Podcast by Promoting

There is no get-rich-quick scheme for podcasts, nor is there a silver bullet to getting tons of listeners. Like any small business, growing your audience takes savvy marketing fundamentals but most importantly a good product. All marketing does is provide a magnifying glass to your podcast. If listeners don’t like what they hear, they won’t stick around. Focus on making great content first. 

After that, your marketing preferences are going to bear a similar relation to your exercise preference. Just don’t skip leg day.

Here are some basic digital marketing fundamentals you should be doing at a bare minimum:

Build a Website With Your Host or With WordPress

Build a website for your podcast if your podcast host doesn’t already provide one. You should have a streamable player for your podcast embedded within the site, an “about us” section, and ways to get in touch with you through email and/or social media. You can use your site to confirm the email subscription of listeners and build your distribution list. You can send out a newsletter telling interested podcast subscribers what you’re up to.

Basic search engine optimization will help new audiences find your show. What does an established podcaster want? Just that, passive traffic from SEO. Publishing a podcast on WordPress can help older audiences find your show.

The best podcast websites I’ve seen also provide complimentary material to the podcast acting as companion material. Here’s 99% Invisible’s social media website with blog posts providing more info on each episode. 

Have listeners submitting a subscription for paywall content? Yes, please. Even if there’s an error in the subscription confirmation, that’s just another opportunity for a touch point. Remember, a podcast that makes money is a business. You’re a brand unto yourself.

“When I’m out in public, I can tell which media channel is the catalyst for someone approaching me. The bro-approach (i.e., “Yo Dawg”) is made by fans of our videos. Someone who wants to engage in a sober, analytical discussion about the dynamics of streaming or the harms of social media reads the newsletter or my books. But someone who approaches me as if we’re good friends listens to the podcast. It’s similar to running into an old acquaintance you really liked, and who really liked you … but you never had the chance to become good friends. The goodwill is evident. This now happens several times a week.”

– Professor Scott Galloway, NYU | Host of the Prof G Show

Popular podcast hosts know that the interest in a show is intensely personalised. The audience is telling you they are intimately interested in your podcast when you build that rapport.

Stay active on social media and Comment Soon

Social media remains a key discoverability route for new listeners. It remains the most effective audience building strategy beyond having great content.

Post new episodes, engage with fans, solicit feedback, give behind-the-scenes info, give away swag, and more. Many a newbie podcaster established themselves by being guests on slightly more established podcasts because it helps build rapport and camaraderie. Almost like having a mentor.

That’s the power networking has in podcasting.

Foster a community You Love

There are several ways to build the foundation of a community — Reddit, Facebook Page, Slack, and Discord. A strong community will encourage word of mouth engagement and grow your audience in organic ways. 

Ask for feedback from Everyone

Your listeners are your customers, ask for feedback whenever you can. You want to continually improve your show and the best way to do that is to constructively listen to what your fans say about your podcast. 

More than that, ask, repeatedly and consistently for reviews. In a conversation with Mark Timberlake on the Udemy podcast, he explained how important reviews are to the algorithm of every podcast directory boosting your show organically. So make it happen.

Rinse, repeat, and keep at it by Creating Engaging Content

Remember at the top of this guide when I said: “Starting a podcast is hard and takes work, and more work, and more work, and mo—”? Don’t get frustrated by a slow start, tireless nights, or a lack of feedback, and definitely don’t get hung up on download numbers. 

Advertise

Thousands of people come to Discover Pods every day looking for podcasts just like yours. Take advantage of the existing community and grow your podcast today. Learn more here

The post How To Start A Podcast The Right Way (The Definitive Complete Guide for 2022) appeared first on Discover the Best Podcasts | Discover Pods.

But finding podcast apps on Android that actually works for you can be difficult. There are so many podcast apps in the Play Store, how do they know which one they should choose? After all, not every show is available on every app. It’s not a cookie-cutter experience. There’s one here you should leave be… see if you can tell.

It’s not like apple podcasts which is a closed ecosystem and you don’t need to worry about where your ios podcast experience is coming from.

In this article, we’ll review some quality podcast apps on Android that have been downloaded by thousands of users. These apps have received positive reviews from users, who say they’re easy to use and allow them to listen to podcasts whenever and wherever they want.

So if you’re looking for an app that makes it easy to listen to your favorite shows on your phone or tablet, keep reading!

Google Podcasts… best app for podcasting?

Google Podcasts, as you’d imagine, is one of the podcast apps on Android app that gives you access to all of your favorite podcasts—except for the ones you actually like. Apple and iOS would never let this happen. Could you imagine Amazon music letting themselves be beaten as the number one podcast player in the *coughs* Kindle Fire store?

First, let’s talk about how great Google is at making and then abandoning products. The company has created some of the most innovative software in the world, but it’s also responsible for some of the worst ideas ever conceived. Think about it: YouTube Red is a thing that exists—and now we’re stuck with YouTube Music. And don’t even get us started on Google Plus.

Google Should be Better at Podcast Apps on Android, Shouldn’t they?

But I digress: Back to Google Podcasts! This app is amazing because it makes podcast locating SO much easier than actually listening to podcasts (which we highly recommend). It’s like having a personal assistant who listens to every show you love, then tells you which episodes they liked best.

Only they don’t really listen because they’re just streaming your RSS feeds through a service called “GooglePlayMusic.” It’s like Google is in my head… Congress? Maybe look into that?

So if you’re looking for something close to every show on here, well… sorry! But if you want an app that lets you skip all those pesky ads and listen straight to the stuff that matters most? Then by all means: Download this app right now!

Pocket Casts

Pocket Casts is a free podcast app that’s been around for a while now, and it’s been constantly updated to keep up with all the latest trends in podcasting. It’s easy to use, intuitive and comes with some really cool features that make it stand out from the crowd.

• Speed Control
• Silence Trimmer
• Sleep Timer

It has automatic download capabilities that will save you time, but it also has manual download capabilities so you can get exactly what you want. If you’re like me, when you’re stuck on a subway or bus with no internet connection, you can still listen to your favorite podcasts!

The library is huge, but it doesn’t have everything—and that’s okay. You can find anything on Pocket Casts because it lets you search by title, description keywords, and even episode number.

It’s my go-to favorite, but it’s not perfect. So it sits aside a few others.

Spotify

Look… It’s just math ok?

 Spotify is the #1 Podcast Player. Over Taking Apple Podcasts, Who Invented the Medium

If there’s a reason your favorite show, say the Joe Rogan Experience, isn’t on your listening apps of choice, it’s likely because this is the 800lb gorilla in the Google Play store.

 Spotify Dominates Android Podcast Listening

The 20 Million Dollar Industry Tsunami

When Spotify signed the popular podcast to an exclusive $20 million dollar deal it changed the game. Completely. It also happened to make Rogan the highest-paid podcast host on the planet.

As an app, Spotify is fine. It isn’t podcast-specific since music is where they originated… why mess with a good thing? At this point, it should really just be on all Android devices. For $10 bucks a month you get unlimited everything with no ads? Yes, please.

Podcast Addict

Podcast Addict finds a home in my “Podcasts App” folder on my home screen. Wait… I just realized I typed that on my home screen. Embarrassing.

Regardless, I love me some Sam Harris, and during the Pandemic, it was only of all these wonderful podcast listening apps that I could figure out how to use to get his feed to play. Maybe I’m finally at the stage where I need to put my password on post-it notes. Embarrassing.

The actual interface is pretty straightforward. Although when I opened it, it told me it wasn’t going to play by the rules. The battery life rules. Then it updated services for a while and crashed.

You know what, it’s fine. Sam Harris everybody.

And the Rest of The Podcast Apps on Android Worth Looking At

Spotify is a great service, but it’s not the only game in town. If you’re looking for something that’s a little more personalized, there are plenty of podcast players out there that are just as good—and maybe even better. For some. Sometimes. Often I find myself messing with these ones because they have features or experiences

Podcast Republic

It’s a generally well-reviewed experience and it looks like the UX (User Interface) is pretty straightforward, but it is one of those contenders that just doesn’t have a differentiating factor. I suppose if I had found it before I found my Sam Harris access, I may have used it more.

 DiscoverPods takes no position on Gina’s position. Nice to Customer Service though.

That criticism she’s lodging is a problem for these smaller apps if I’m allowed to editorialize for a moment. They’re working without a net. People want to give them a chance, but when it gets in the way of the experience… Why can’t it be as simple as radio?

But again, in trying it, I wasn’t wowed. It was a perfectly good workhorse app. But I already have mine.

Worse, the latest review on Google Play seems to be trending downward. You don’t have to make changes to something that works because you’re on the clock. I hope they right the ship.

We’ll come back. Just going out for a pack of smokes.

Tunein Radio

This one is a little different. In addition to podcasting ability, they cover a lot of live sports, live radio, events, etc. It’s as close to an actual radio station repository as you’re going to get while staying on the right side of the law.

So if we were ranking apps (and that’s not the point of today’s exercise, class) it wouldn’t really be fair to put them in the same category. Are Howard Stern and Joe Rogan in the same category? Ehhhhhh…

Since it’s not apples to apples we’re going to say that this is an app worth checking out and leave it at that for now.

Player FM

Here’s the case of missing the boat on what seems to be a very fine application. I say application because it is meant to be cross-platform, which is great a really great idea. I think that is what Spotify has been trying to do, but these guys do a much better job.

Syncing across platforms is excellent, smooth, and a breeze. Sync what you say? Oh, just the library of 20 million podcasts and videos. And with podcasters with any real cache incorporating video, it’s a really smart place to be. But if we look at the graph of users above, they’re nowhere to be found.

Their FAQ was also nowhere to be found. But they’ve made some changes since their acquisition in 2020 for an undisclosed amount. Honestly, it looks like a good experience.

Stitcher

Sticher has always been more of a search engine for the medium that played what you found. And it seems they’ve been tinkering with the app, seeing as they say it’s been redone. That’s above the fold. That’s a big deal.

I’m not clear on how many changes they’ve made, but we know the old app was good. You’ll find their link littered throughout some of the older posts because it was the only place you could find some smaller, obscure shows.

Again, we’re not doing any ranking here, but I’m going to go out on a limb and say that Stitcher is still worth checking out. I know I’ll be checking out the new version and why don’t we do it together? It’ll be like a field trip. Remember field trips?

Simpler times everybody. Simpler times.

What is the Podcast app for Android?

It’s a jungle out there, but these podcast apps on Android will help you find your way.

You can’t always trust reviews when it comes to Android apps, and it’s incredibly easy to get lost in the Play Store. But we’ve done the work for you, and these are the ones we recommend trying first.

We’re not saying that every one of these apps is right for everyone—they’re all different, and all have their strengths and weaknesses. But these are tough times and at least they’re all free to try. And in all seriousness which one is the one you wouldn’t try?

Did we miss your favorite? Let us know on Twitter (we know) @Discover_Pods.

The post 7 Quality Podcast Apps on Android You Need to Try (And One You Shouldn’t) appeared first on Discover the Best Podcasts | Discover Pods.

A “podcasting kit” necessary to produce a show can be as simple as a microphone that records to a laptop, or a several thousand dollar package. Every producer will have different intentions, and there is not a one size fits all answer to what equipment to purchase first.

Furthermore, just because something is more expensive or more advanced does not mean it is the right option for you. Consider building a set of equipment up by adding new pieces to make your process easier with time, rather than buying everything immediately and cutting corners in quality.

Best Podcast Equipment Guide 

This guide will break down the best podcast equipment 2022 & 2023 has to offer at varying price points, but ultimately you should make a decision based on what your podcasting objectives are. For many, podcasting will just be a hobby but if you want to produce a show that eventually brings on advertisers and lures in big guests, a solid gear set-up is essential.

In most cases, the best option will not be the cheapest and listeners of new shows will be deterred by audio that is not crisp. Whether you are starting a show from scratch and need a full set of gear, or you are looking to fill in holes with the podcast equipment you have, these are our picks for the essential equipment at any price point. 

Equipment for a podcast: Podcast Microphones

If there is one piece of equipment that is absolutely essential for podcasting, it is a good quality podcast microphone. Choosing the right studio microphone can make or break your podcast. The past few years have seen the emergence of several new microphones to the market that are sold as “pro-sumer” podcasting mics.

These mics are simple to set up and use, often not requiring a mixer or even an XLR cable, and tend to produce quality audio that will be more than sufficient for most spoken word shows. Musicians or performers looking to create podcasts where perfect audio is essential will still want to opt for traditional, professional mics. 

Microphone Differences

One of the key differences in podcasting microphones is the input, specifically XLR and USB. While most readers will be familiar with USB inputs, XLR microphones may be a bit less familiar and with that, tend to come with more professional mics. With all microphones, but especially USB microphones, purchasers should be aware of quality and read reviews or try to find online audio tests. 

A second difference you will encounter when researching microphones is the direction from which the microphone records audio, either dynamic or omnidirectional.

A dynamic microphone, or condenser, microphones have a more narrow path and omnidirectional, or cardioid, microphones take in audio from a wider field. While the latter can result in more background noise, it also leads to a fuller, richer sound.

Consider what environments you will be recording audio in and choose accordingly. You don’t want to accidentally ending up sounding like the Hindenburg journalist.

Rode Podmic ($)

The Rode Podmic, priced currently at $99.00, is a steal for the quality and performance. A cardioid mic built for the studio, this option includes an internal pop filter (more on that later) and an internal shock mount that reduces vibration. Although a stand is not included, the mic easily will mount on to whatever set up you would like to use. The all-metal construction also feels expensive and is built to last. 

Rode is an incredibly reputable brand in the audio space, and they have a full suite of tools that this mic is designed to work alongside.

If you want a high quality microphone but are intimidated by the idea of purchasing an option that uses an XLR cable, consider something like the Podmic that is specifically designed with the newer podcaster in mind. The Rode NT-USB-Mini USB Mic is another option from Rode, also priced at $99.00, for those looking for a USB set up. 

Blue Yeti X USB Mic ($$)

Blue has improved upon their incredibly popular microphone with the Blue Yeti X, marketed specifically to gamers, streamers, and podcasters.

Easily the two most impressive features of the microphone are the ability to switch between four pickup patterns (such as omnidirectional for a group discussion or bidirectional for a two person interview) and the new LED metering system for live evaluation of audio levels.

While neither feature would be especially suitable for a professional audio engineer, they are nice features to have that will certainly help podcasters out. 

Every Yeti mic uses USB output and work with their suite of software tools and add-on podcast equipment. The mic comes with a tabletop stand, but can also work with a boom arm or boom stand if preferred. Always easy to use and more than competent in sound, Blue has truly done it again with the Yeti X. 

Shure MV7 USB Mic ($$$)

Shure is a household name in audio circles. The Shure SM-57 and 58 are staples in live settings.

Shure has created a microphone that many will see as the best of both worlds. An all-metal mic with a built in headphone jack for live monitoring, the MV7 is one of the best mics on the market that offers both USB and XLR output. With either option, the sound is rich and natural.

Shure has also introduced the ShurePlus MOTIV app for desktop, which allows for additional modifications for how audio is recorded including an Auto Level mode that makes this one of the easiest mics on the market to use. 

With it’s dual inputs, Shure’s MV7 is perhaps the best USB microphone on the market. It is a great option for podcasters on the go who may need to use different set ups at different times, and a great option if you are an early stage podcaster looking for a mic that will grow with them. 

Movo UM700 Desktop USB Microphone ($)

If you are tired of digging through pages and pages of new brands introducing affordable audio gear, look no further than Movo. Of all of the newer companies that have popped up, Movo is consistently one of the best reviewed and has several well-priced mics (as well as a full catalogue of video and vlogging tools).

Movo has replicated a lot of the features mics by brands such as Blue offer, but at a lower price point. Of course, there are some set-backs, such as the fact that you get a micro-USB input, rather than the USB-C that most higher-end USB mics offer. 

When purchasing a lower priced mic, you will miss out on some of the features integrated into other mics such as built-in shock absorption mounts or filters to stop plosions, and may need to fill in those gaps with additional accessories. Still, if you are looking for a solid option under the $100.00 price point, the MovoUM700 is a good bet. Plus, you can skip the extra mic stand.

Podcast Equipment: Microphone Accessories

While not essential, several add-ons will turn a good recording set-up into a great one. Pop filters and shock mounts are definitely worth considering, especially if you are recording audio with speakers who may be a bit more boisterous or are newer to recording audio. 

Also known as windscreens, serve to protect a microphone from unwanted peaking caused by certain sounds, typically “P” sounds. These mounts do exactly what the name suggests, and serve as a bit of extra security in case a microphone, or even the table a microphone stand is on, gets bumped. Consider adding these accessories to your set up for a bit of extra protection while recording. 

Nady MPF-6 6-Inch Clamp On Microphone Filter ($$)

Few things differentiate the best of the best, but Nady’s MPF-6 is a great option given its long, flexible gooseneck that can be easily attached to most microphones or stands.

The gooseneck and the filter itself are well constructed, and the clamp provides a snug fit. The last thing you want is a pop filter falling off a stand or sliding down mid-recording. At six inches in diameter, it is also provides great coverage compared to some smaller pop filters. 

Yeti X Mic Pop Filter ($)

Yeti’s contribution to the market is specifically designed to work with their mics, but will fit with many others as well. It’s constructed with three layers, two steel mesh with sponge in the middle, and has a gooseneck arm with 360 degree flexibility. 

Because it is designed to work with Yeti’s mics which often feature tabletop stands, this is a great option for any mic that has a similar design. The clamp is designed to work as an attachment to booms, as well. 

There are several great shock-mounts, boom arms and other accessories on the market that are designed specifically for different microphones. In addition, serval manufacturers offer packages with their microphones that include filters or shock-mounts, as well as things such as cables or headphones.

For all accessories, especially if you already own a microphone that you are comfortable using, consider looking into offerings from the same manufacturer to ensure compatibility. 

Podcast Equipment: Mixers and Interfaces

If you have a laptop, a podcast mixing board, or audio interface, may not be essential for recording. However, there are a few situations where a mixer is not only recommended, but essential. 

As the name indicates, an audio interface is used to combine several different audio elements together and mix them into a single track. The different inputs typically include several different microphone feeds, such as if you are recording a podcast with multiple speakers.

While some capabilities of a mixer can be done with software in post-production, they are a great addition to any kit. If you are using a XLR microphone, you will also need a mixer to record to a laptop, or a separate usb audio interface that accepts XLR cables. 

You may also want to add a mixer to your set up if you are recording live shows, or if you simply want more control over your audio. While there may be a bit of a learning curve, the flexibility the interface will provide you with will certainly make it worthwhile. 

As you consider this section, note that you will likely come across the term “interface” in your research as well. While there are some differences between the two, such as mixers adding the ability to integrate sound effects, the two essentially serve the same function for podcast recording.

Rode RODECaster Pro ($$$)

No list of mixers for podcasting would be complete without the RODECaster. One of the first mixers marketed specifically for podcasting, the RODECaster changed the game by creating a piece of podcast equipment that was easy to use for people not trained as audio engineers, but equipped with many of the features an engineer would need.

The RODECaster has four input channels for XLR mics, as well as a USB-C input. Additional features such as the ability to connect to a phone via Bluetooth to record interviews were added specifically with podcasters in mind. 

The RODECaster is a “prosumer” tool, meaning that while it suitable for professionals, it is designed to be accessible and easy to learn. Keep in mind that with Rode’s offering, you will not be able to control audio input as fully as you would with other similarly priced mixers. In most cases, the mixer is more than enough and the removed functionalities will actually add to ease of use, rather than being a setback. 

Yamaha MG10XU ($$)

If you are looking for a more traditional mixer at an affordable price, Yamaha has several great options including the 10-input (four microphone) MG10XU. The mixer includes a USB port to record directly to a computer, and will be similar in design and functionality for those experienced with traditional mixing boards. In addition to this four microphone set up, Yamaha has a full suite or mixers with capabilities for up to 20 inputs.

One benefit of using some of the newer podcasting mixers is that they have multiple headphone outputs for live monitoring, while most traditional mixers would require a splitter. If you are an audiophile though, this Yamaha option will be a great addition to your setup. 

Zoom PodTrak P4 Podcast Recorder ($$)

For years, podcasters in the field have been using Zoom devices to record audio. While all of Zoom’s recorders could work well as a podcast interface, the PodTrak P4 was designed specifically for podcasting with a simplified interface, the addition of programmable sound pads, and USB input for remote interviews. There are also four headphone jacks, while Zoom’s products typically just have one. 

The benefit of using a tool like the PodTrak P4 is that it is incredibly compact and can be used on the go. Audio is recorded directly to an SD card, so this is a great option for a travel podcasting kit or, as mentioned, field interviews. Zoom’s products are always very intuitive to use, and the addition of a bright screen that allows you to monitor your audio levels, memory card space and battery level is a nice plus. 

Focusrite Scarlett ($)

With the Scarlett, Focusrite has created nearly the perfect podcast starter kit interface for a solo podcaster. It turns any bedroom into a podcast studio. Assuming you’ve got the rest of the recording equipment.

For about $100 you get a USB interface with an XLR input, 48v phantom power, and a quarter inch line in. With individual gain and balanced monitoring, you can really dial in the acoustic treatment you’re looking for in your podcast episode.

Focusrite has also put together some equipment packages that may appeal to content creators who are just starting out. They include an audio recorder, headphones, a basic condenser mic and the cables you need. Then all you are shopping for are mic stands that fit your space. Not a bad route.

Essential Podcast Equipment: Headphones 

While it may be painful to admit, many of your listeners will likely listen to your episodes through cheap earbuds, car speakers, or other less than ideal output devices. However, when you are monitoring your recording or finetuning your production, quality headphones are essential to ensure that those who do take listening seriously get the quality they deserve. 

Anyone who has shopped for podcast headphones knows that prices vary a lot, and in most cases you get what you pay for. While a microphone is a more important investment to make for quality recording, headphones make podcasting fun. You should be able to listen to your audio recordings at the highest level of quality possible.

If you are a new podcaster, rather than setting out to buy headphones just for recording, considering getting a pair you will enjoy listening to audio with as well. 

OneOdio Wired Over Ear Headphones Studio Monitor & Mixing DJ Stereo Headsets ($)

OneOdio offers a very affordable pair of headphones that provide clear, dynamic sound comparable with pairs at much higher price points. While they are relatively bulky, they offer a comfortable fit and can be folded and fit into a provided carrying case.  

These headphones do not offer wireless functionality or noise cancellation, but remember that in most cases, you will not be able to monitor sound from a mixer or microphone using wireless headphones. Noise cancellation, or a headphone amplifier, while an excellent addition, may not be essential for editing because you will ideally be doing this type of work in a quiet space.

If you are simply looking for an extra pair of headphones to use for editing, or if you want to purchase multiple headphones for guests to use in a studio, OneOdio is a great option. 

Sennheiser Pro Audio HD280PRO Headphone ($$)

A household name in audio, Sennheiser makes several great headphones and continues to release new models with improved fit, functionality and design. Compared to previous models, the HD280PRO is largely only different because of changes to the fit and structure.

Sennheiser uses the same audio technology in this pair as previous models, but that sound has been perfected and you will immediately notice the rich, warm sound that Sennheiser headphones provide.

Sennheiser’s headphones are affordable in price, but they also allow you to replace the earpads, headband padding or audio cord, making it a great long-term investment as well. 

Audio-Technica ATH-M70X Pro Studio Monitor Headphones ($$$)

Audio-Technica’s headphones are praised by audio engineers and are commonplace in many professional studios. The audio quality provided by Audio-Technica is second to none, with the ability to accurately reproduce extreme low and high frequencies. 

This pair is well built, with a comfortable headband and swiveling earcups that allow for one-ear monitoring as well as easy storage. While they are not noise canceling, the ear cup design offers great sound isolation in louder environments.

The Audio Technica headphones also come with three detachable cables, ranging from about four feet to 12 feet, which make them suitable for several editing or monitoring set-ups. 

Podcast Equipment: Recording and Editing Software

Audacity (free)

Audacity is an excellent tool for recording and basic editing, incredibly popular with amateurs and professionals alike. Audacity is free to download and despite a very outdated interface, remains a good option for both recording and editing.

Because has been available for so long (the first version was released in 2000), there are plenty of tools and resources available online to help learn the fairly simple interface. 

Adobe Audition ($$)

If you are an Adobe suite subscriber, you already have access to capable program. Slightly more affordable than Pro Tools and far more advanced than Audacity, definitely consider Audition if you are looking for an easy-to-learn, robust tool. 

While Audition is the obvious reason to purchase the Adobe suite as a podcaster, additional software such as Premiere (for video podcast editing) and Illustrator (for design and illustration) could also be helpful. As a new podcaster with a tight budget, learning these tools will help save you money down the line compared to hiring a freelancer. 

Pro Tools ($$$)

If Photoshop is the household name in photo editing, then Pro Tools is the equivalent for audio editing. Pro Tools is used by the world’s leading musicians, engineers, and editors to fine tune audio, and it is more than sufficient for any podcaster. In fact, for many, it may be too much. It’s the digital audio equivalent of a Lambo.

While the basic functionality of Pro Tools can be picked up fairly quickly, but the additional benefits have a very steep learning curve. If you are recording audio clearly in a quiet, softened space, you will ideally not need to be doing a lot of post-production and will not have use for many of Pro Tools’ functions.

For professionals mastering music or scoring movies like the ability to have 256 audio tracks will likely also not be utilized by a podcaster. 

Pro Tools has an extensive library of training content, which is a plus, but in most cases it is not an essential piece of a podcasters toolkit. Instead, invest in a good mic, sound blankets or another method of dampening for your recording space, and you will likely be satisfied with a lower cost editing tool. 

Logic Pro ($$)

Logic is Apple’s foray into the world of audio editing. While it might be associated with music, it works with all audio interfaces and feels right at home in the podcast production world. Considering Apple invented the entire genre, it if you’re working in the Apple environment, then Logic is a sensible choice for a professional podcast setup.

Garage Band, Apple’s free recording software is, recording software wise, the best podcast equipment for beginners. The learning curve is shallow, its free with every Mac, and you can step up to Logic in your podcasting equipment progression. Apple has created a superb digital recorder ecosystem.

Podcast Hosting Platforms

After you have recorded an episode, you need somewhere to put it online. These platforms handle this aspect of the process, as well as the distribution of episodes to places like Apple Podcasts. Certain hosts also offer a long list of other benefits, so while it can be appealing to look for a free option, this is really not a place to pennypinch. 

Some of the most popular options are, Buzzsprout, Libsyn, Altiu, Red Circle, Castos, and Blubrry, but you will find numerous others available as well. We have a list of the best free podcast hosting services, which not only explains features and storage options, but also evaluates the ups and downs of each. For example, many of the top hosting sites will allow you to create a free website for your podcast, while others have proprietary recording or editing software that comes included with a storage subscription. 

What essential equipment for a podcast do I spend money on? 

In theory, the only equipment for a podcast you require is access to a smartphone or laptop computer. One of the most beautiful things about podcasting is that, compared to other mediums such as video, the barrier to entry is fairly low. That being said, we think that the benefits of spending a bit on certain podcast equipment will be instantly apparent. 

If you want to spend less than $150.00 

The most important thing in podcasting is your idea or concept, and the second most important thing is your microphone. There are several excellent microphones available for under $100.00, such as Blue or Movo’s offerings. Combining these microphones with Audacity, Garageband or a different free software to record and edit could be a great set-up. 

If you are purchasing a lower end microphone, ensure that your recording location is going to produce excellent sound. You can use blankets from around the house to dampen sound, or even record in a closet where the clothes can act as makeshift sound blankets. 

If you want to spend $150.00 to $350.00 

In this price range, you will have the budget to acquire a paid hosting plan, which will likely be around $100.00 to $150.00 / year depending on the exact service. From there, you can find many excellent microphones in the $100.00 range, and should have budget left over for a few accessories such as a filter for the microphone, or a nice pair of headphones. 

If you want to spend more than $350.00

There are several directions you can go if you have a larger podcast equipment budget. For a solo-podcaster, invest in a nice microphone like the Shure MV7, as well as the hosting service of your choice. With a nicer mic, some of the other equipment for a podcast becomes less essential. 

You could also easily build out a two or three microphone set up for a podcast with multiple hosts for less than $500.00. A Zoom PodTrak P4, hosting, and two Rode PodMic microphones would put you right at $500.00. Consider also looking for packages that include accessories such as headphones or cables, or consider refurbished podcast equipment if you are purchasing multiple pieces. 

Like with most technology, you truly do get what you pay for with audio equipment, and in most cases cheap equipment will need to be replaced, or will be come unusable after a certain amount of time. With equipment you will be using for every episode, such as your microphone or even the cables that go with it, you will end up paying for a slightly cheaper product in the long run. 

Above all else though, good equipment cannot save a bad podcast. While a microphone can cost $50.00, $200.00, or even $1,000.00, a good idea for a podcast is priceless.

The post The Best Equipment for a Podcast for 2023 (on any budget) appeared first on Discover the Best Podcasts | Discover Pods.

Recording on the go is a minefield. In the best case scenario, it’s an uncontrolled environment. In the worst case, it’s a torrent of background noise that can drown out whatever it is you’re trying to capture.

Poor audio quality is one of the biggest reasons potential listeners will turn off a podcast. No matter how novel or exciting your field content is, if it sounds like it was recorded in the middle of a warehouse cocktail party, no dice.

You’ve got to bring your A game. That’s why we compiled a list of microphones that are top-notch for mobile recording. They capture great sound, then get out of your way.

So what to consider when making the list?

Considerations For The Best Mobile Podcasting Microphones

How are you going to use the audio recording? Are you recording an interview for a short segment piece? Is this some scintillating b-roll? Will it anchor your a-block?

This is the first consideration when picking a mobile podcast microphone. How integral the audio is to the show’s success.

You only need the minimum viable tool to get the job done.

Gear addiction is real. One of my oldest friends owned a recording studio for a decade. He flirted with insolvency the entire time. Barely made it out without going completely bankrupt.

It’s easy to go overboard, but if you’re doing the occasional field interview, you don’t need a professional rig.

You can always upgrade later if the situation demands it, but, let’s be honest. It won’t. 95% of us got by in 2020 with the free Zoom account.

Mobile podcast gear investment is no different. So, you don’t need to go crazy on your podcast microphone budget.

The Best Mobile Shotgun Mics

If you need to record a specific audio source at a distance, a shotgun mic is the way to go. Shotgun mics have a counter intuitive name. A shotgun has a wide spray, but shotgun mics are laser focused on what you point them at.

These mics work by creating phase interference for any audio that isn’t directly in front of them. It’s a similar concept to how your noise-cancelling headphones work. (Similar, comments section, not identical).

Shotgun mics are very popular with videographers for obvious reasons. They don’t want a microphone of any description invading their frame. Touchy, aren’t they?

But they’re also a killer solution for recording an interview in a din.

Neewer 14″ Mono Shotgun Mic

$

Connection Type: XLR

Features: Professional cardioid shotgun mic with included shock mount, ¼” cable, 3.5 mm cable, foam windscreen, and faux fur muff.

Review: With the Neewer shotgun mic you get a lot of microphone for very little cost. The audio quality won’t win you any Grammys, but for podcasting? Can’t be beat for the price. The extra accessories included make it the absolute budget kit. No low battery indicator which can be trouble in the field, so stock up or bring a hot swap mic.

Rode VideoMic Me Compact TRRS Cardioid Mini-Shotgun Microphone

$$

Connection Type: 3.5 mm

Features: Extremely lightweight at only 43 grams, and device powered, this shotgun mic is built for all day recording. Features a built-in 3.5 mm headphone jack for live software monitoring.

Review: This is the smartphone iteration, but there are others siblings in the series as well. Powered by the bus, this mini shotgun podcast microphone doesn’t have the issue with batteries that can be a problem with larger shotguns. 

LyxPro CMG 50 

$

Connection Type: XLR

Features: The CMG 50 features a superior cardioid pattern that eliminates ambient noise. Powered by 48v phantom power from a mixer or optional AA battery. High frequency band pass filter built in for outdoor recording. Foam pop filter included as well.

Review: Another well reviewed affordable shotgun mic from LyxPro. The kit includes the requisite connections for a boom stand or proprietary camera mounts which gives this mic more mobile versatility. The AA power is nice as it allows for use with an XLR to ¼” or 3.5 mm cable.

The built-in frequency filter makes this microphone well suited for noisy outdoor environments where getting to record an interview that sounds bell tone clear can be dicey. If you’re recording at a music festival (remember those?) for example, the frequency filter will help cut the unwanted noise from the stage to help your subject’s voice cut through.

All in all a solid choice for a mobile podcast microphone.

Lavalier Mics for Podcasts

Lapel mics, or Lavalier mics, are fantastic little tools for recording in noisy environments like you’ll find outdoors. Emphasis on little. If you are recording on the fly, they are small, discrete, and can be really cheap. That cheapness comes in handy more often than you’d think.

If you’re recording with some set up time they act as a great backup, or second audio source for a shotgun mic.

Bietrun Rechargeable Mobile Device Wireless Lavalier Mic

$

Connection: ⅛” TRRS, 3.5 mm 

Features: The Bietrun has a number of professional features at an amateur price:

• 25 Selectable UHF channels
• Wireless up to 65’
• 400mAh rechargeable battery via micro USB
• Compatible with iPhone & Android
• High grade condenser microphone design

Review: Good all around wireless lapel mic for recording mobile audio to your device. Recording an interview for a podcast can be done effectively on your phone these days. There’s no pressing need to carry a tremendous amount of expensive gear into the field in order to get quality audio. Given that you can get a quality DAW app on either Apple or Android for free. 

The 25 UHF channels mean that even in a busy wireless environment where there are a ton of other signals, you should be able to find one without interference. 

Lewinner Smart Phone Bluetooth Wireless Lavalier Microphone 

$$

Connection: Bluetooth 5.0

Features: Advanced features in a podcast microphone for smartphone applications:

• 6 mm condenser microphone
• Bluetooth 5.0 powered by Qualcomm chipset
• Built in SWISS Algorithm noise cancellation technology
• 110 mAh battery for 6 hours of use
• SMike App for Auto Transcription
• Requires an Android or iOS device.

Review: This microphone is fantastic for solo podcast projects in a mobile environment where background noise is high. For situations where you can barely hear yourself think, you want the microphone to blend into the background and let your voice rise above the din. This microphone does just that.

Where this microphone is head and shoulders above the rest is recording yourself giving a presentation or a TED style talk. Where you need to be moving around the stage, but you don’t always want to be tethered to your device. 

Throw it on your interview subject and it excels in that arena as well.

The auto transcription feature is a boon for your show notes as well. Who wants to pay a REV contractor to transcribe your show when the microphone can do it for you?

PoP voice 16 Feet Single Head Lavalier Lapel Microphone

$

Connection: 3.5 mm

Features: Single head omnidirectional microphone. 16’ audio cable.

Review: Well, this is a pretty basic lapel podcast microphone that gets the job done. I’ve used two of these microphones for years to record interviews and have never had an issue. If you are going to record using only your phone, you will need a mixer or a Y splitter to record two voices, but other than that, this is just a simple workhorse. 

I’ve lost gear while recording an interview out in the field before, and that’s always a heartbreak. When I lose one of these, it’s not a big deal. The 16 feet (ca. 5 m) of cable you are trailing around with these mics make them hard to lose, but on occasion an interview subject will forget to unclip. 

If you are just starting out or don’t want to stress about cost, these lavaliere mics are the way to go when you need to record an interview.

The Best Handheld Mics to Record an Interview

Handheld mics are what they sound like. They are what most people think of when you say “microphone.” If you’ve seen a local newscast on location, you’ve seen a handheld mic. For a podcast, they are the option of last result. For a short back and forth interview, coupled with a quality windscreen, they’re ok. But for anything longer than that, they’re going to sound obnoxious. 

They will cause you more time in post than you will want to spend.  

Think of holding a glass of water for any length of time. Those little ripples you see? They’re waves right? Well, that’s how audio is transmitted as well. For the audio to be picked up evenly, the microphone has to be as steady as possible. That’s hard to do with a handheld mic. Nigh impossible.

So if you need to add one to your mobile kit, these should do the circumscribed job.

COMICA HRM-S Interview Microphone

$$

Connection: 3.5 mm TRRS

Features: The cardioid condenser mic has a frequency response from 60hz to 20kHz to help eliminate unwanted background ambient noise. Includes an 11.5’ cable that attaches via 3.5 mm plug for maximum compatibility. The mic also has a logo placard for doing on camera video spots. 

Review: The Comica mic is a pretty standard, no fuss, 3.5 mm microphone. Not a lot to go wrong, which is what you’re looking for in the field.  It’s a podcast microphone that feels solid in hand and has plenty of cable to frame a video shot if that’s your thing. For recording live podcast interviews, this mic is more than enough.

R-Y08 UHF WIRELESS Podcast MICROPHONE SYSTEM

$

Connection: ¼” receiver unit

Features: The R-Y08 UHF wireless podcast microphone system has quite a few features that make it attractive for mobile recording.

• 1,200 mAh battery provides up to 16 hours of use on a single charge
• Battery indicator
• 15 selectable UHF channels
• Wind muff included

Review: One of the lowest cost wireless solutions on the market. This mic’s UHF band operation means that it can operate in congested spaces without having to worry about dropping audio while recording. 

Ultra-high frequency means that this mic will transmit sound longer distances than other comparable solutions. This means you can leave the receiver up to 100’ away from the spot you are recording and get a reliable signal. 

Conclusion

Trying to find the right podcast microphone for your needs can feel like searching for a needle in a haystack. There are a million solutions to any application and give times as many opinions on the subject.

That’s why, when it comes to podcasting, to remember why you’re picking your mic in the first place. Most of the time you just want to find a mic that will get out of your way. 

So you can spend more time on content and less time nerding out on engineering. There’s always time later to dive into that particular rabbit hole.

I hope one day soon we get to go back into public. And when we do someone’s going to need to be there to document it. 

The post The 8 Best Mobile Podcast Microphones That Won’t Break the Bank appeared first on Discover the Best Podcasts | Discover Pods.

You’ve drunk the Kool Aid and are ready to dive into podcasting in 2021. I mean, why wouldn’t you be ready?

Well, as we’ve discussed before, podcasting, from a monetization standpoint is a bit of a long game.

So how do you dip your toe into the waters without ending up needing to change your pants? The last thing you need right now is to lay out thousands of dollars on a hobby that won’t recoup its investment for a year or more.

Success is born of experimentation where risk is mitigated. That way you aren’t afraid to try new things. The cost of failure should be as low as the reward is high.

As such, keep that podcasting recording studio cheap until you learn what works. Make sure you enjoy pressing record and that you see results to keep your motivation level high.

Dealing with Poor Audio

It matters not how motivated you are, or how much you enjoy the process, if you don’t get the audio right.

Consistently poor audio quality will sink a podcast. Even more so than the content itself. People won’t even get to your stellar content if your audio sucks. In fact, listeners will give you a pass on shaky content and wait for you to get your sea legs if it sounds well produced.

The appearance of professionalism triggers a cognitive bias that says “I should give this guy a chance… He seems like he knows what he’s doing”

It’s critical you get the audio right without breaking the bank. Budget and quality are constantly fighting for supremacy and it’s your job as a host and producer to find equilibrium.

Decide what type of podcast you are going to create

The first step in setting up your podcast recording studio is landing on a format. Estimates differ, but when you strip everything away, kitting out a studio comes down to three basic podcast formats.

The Multi-Voice Podcast

Most big name hosts in podcasting find themselves under the “multi-voice” podcast umbrella. That umbrella encompasses the interview, co-host discussion, and panel formatted podcasts. For the purposes of setting up a podcast recording studio for a hundred bucks, they’re interchangeable.

You want to have as many mics as you can afford and as many pairs of headphones as you can spare. The lively nature of the discussion means some audio artifacts are tolerable. Pristine clarity isn’t front and center.

The Solo Podcast

The solo podcast format covers spoken word, monologue, and storyteller formats. When it’s you, alone, with a microphone, the quality of the audio is going to be even more important than the multi-voice formats.

As such, you’ll want to spend a bit more making sure you can capture, as accurately as possible, the words coming out of your mouth.

The Repurposed Media Podcast

Lastly, in terms of setting up a studio, you have the repurposed content podcaster. This type of show uses material that wasn’t specifically meant for the podcast medium to create a podcast. Most news broadcasts that are available as podcasts follow this rule.

For our purposes, we can get away with the lowest quality audio since you’ll be setting up introductions and clarifications at best. There’s no reason to go overboard with podcast equipment for this type of show.

Right Gear, Right Job

An interview format? Spoken essay? News review? Different formats have different needs.

Where are you going to record? Not everyone has a dedicated office or studio to dedicate to their audio escapades. A very popular mommy (mummy?) Podcaster records in her car to avoid the cacophony that comes with raising toddlers.

Does her audio suffer? Nope. Why? Because she’s got the right rig for the job.

So what do these rigs look like?

• Podcast microphone

• Recording Device

• Listening Device… Podcast Headphones.

• Editing Software

That’s pretty much it. The other “soft skills” are what make a podcast worth coming back to again and again.

There are plenty of excellent, stripped down, punk rock records that stay in rotation. You don’t need a $10,000 pro tools rig when the Beatles used 4 tracks.

Let’s price a few of these podcast recording studios out and see what we get.

The $100 Podcast Recording Studio Gear

Now, onto the gear itself. When combing through the gear options we were trying to create a stable of gear that can be mixed and matched. A list of gear to produce any podcast format you like.

But feel free to mix and match as suits your specific needs. Getting your feet wet in the podcasting world means you may find yourself experimenting with different formats.

And remember, the gear here isn’t top of the line, but again, you don’t need the best when you’re first starting to develop those pod skills.

Podcast Microphone:

Zingyou ZY-801 Condenser Microphone Set

The best thing to say about this mic is that it’s cheap. The second best? It comes with everything you need to start recording out of the box.

Namely, a desk tripod, pop filter, cable, and computer interface. This is the absolute bare minimum you need to get going, so have at it.

Rockville Dynamic Podcast Microphones

If you’ve chosen to break into the multi-voice format, a kit like the Rockville one here should do nicely for basic interviews. Both mics include mounts, stands, pop filters, and balanced (as well as unbalanced) cables.

Movo Lavaliere Interview Kit

If you’re doing audio outdoors or conducting your interviews in the field, you need to use lapel (aka lavaliere) mics. They’re portable, discreet, and deliver high quality audio in a potentially noisy environment. This kit comes with everything you need to record two signals to your phone with very little effort.

Podcast Headphones:

Vogek Over Ear Wired Stereo Headphones

When you’re setting up a home podcast recording studio as cheaply as possible you could really get away with using whatever earbuds you have lying around. Monitoring quality isn’t hugely important.

But earbuds aren’t all that comfortable to wear over extended periods of time. A cheap pair of over ear headphones like the Vogek set here add a bit of comfort to a long edit session.

Recording Device:

ALPOWL 4 Channel Sound Board

If the microphone is the heart of a podcast, then the mixing board is the nervous system. It ensures the signals get where they’re supposed to go. The ALPOWL board does this job in an efficient, no fuss, manner. And it does it on the cheap.

The board features 2 channel recording, phantom power for your condenser mics, USB interface, as well as Bluetooth. The latter of which is extremely handy when recording on the go or when you’re skimping on extra cables.

This is a piece of gear you’ll want to upgrade pretty early on if you’re in the interview arena, but otherwise, if it ain’t broke…

Editing Software:

A quick note on editing software. In this day and age, especially when you’re first starting out, there’s no reason to pay for editing software. If you’re on a Mac, just use GarageBand. It’s a phenomenal digital audio workstation (DAW) and it is bundled with your computer, gratis.

If you’re on Windows, or Mac or Linux for that matter, Ardour is a fantastic piece of open source software that has more than enough functionality to produce a professional sounding podcast.

If you’re using your phone to capture your audio, GarageBand for the iPhone or n-Track Studio on Android will have you editing for free.

It’s nice to know that when you’re trying to come in under budget, there are plenty of software options that aren’t going to impact your bottom line.

Conclusion

With the popularity of podcasts increasing, more hardware manufacturers are getting in on the medium. The cost barrier of entry is coming down. And that’s a good thing.

There are more than enough questions about the monetization trend lines in 2021 and beyond that make the most basic recording equipment a sound financial decision.

If you’re just starting out, there’s no reason you need to go above $100 setting up your podcast recording studio unless you really want to.

Let us know what you went with in the comments and where to find your new pod. We’re always looking for new shows to write about.

The post How to Set Up a Podcast Recording Studio for Less Than $100 appeared first on Discover the Best Podcasts | Discover Pods.

“Anyone can do it, but not everyone will do it.”

Now, at the time, he was talking about real estate, but this advice applies to anything worth doing.

In this case, it applies to why everyone should start a podcast in 2021.

Ought implies can. Let’s get this out of the way. Everyone can start a podcast. We’ve been over the gear you need. You’ve read our roundups of microphones, podcast hosting services, podcast recording equipment, how to research the topics, etc.

We’ve got an ultimate guide of how to start a podcast. The tools are in your kit.

You’ve got the nuts and bolts covered. If the answer to the question, can I start a podcast is a resounding yes, then the next question is ought I start a podcast in 2021? And again… emphatically, yes.

We’re All Salesman

I hope I’m not the one to break this to you, but you’re in sales. Everyone is. Dan Pink demonstrates how “being in sales” has changed dramatically over the past 20 years.

It used to be that salesman wore a plaid jacket, had slicked-back hair, and thought gold chains were the epitome of professionalism. In short, they wore a uniform and you could avoid them as such. And they left a bad taste in your mouth.

In the wake of pandemic induced layoffs, you’re either selling yourself for your next gig or building your side-hustle.

Even “traditional” companies are eschewing a formal sales staff in favor of having the company as a whole adopt the sales role.

We have to shift our mindset around what it means to be in sales. Podcasts are an amazing sales medium for the plaid jacket hating crowd. The return on investment is unbeatable.

Podcasts are a sales platform that doesn’t feel like sales.

People Buy Why, Not What.

Simon Sinek. A name that has become synonymous with articulating the mindset shift around sales.

In his seminal TED Talk, Sinek breaks down the psychology underpinning people’s buying habits. He points out that people don’t actually buy what you’re selling. To borrow from Dan Pink’s lexicon, people attune to why it is that you’re selling in the first place.

What made the slick used car salesman successful was his ability to layer on whatever “facts” he saw fit to convince you that his lemon was your lemonade. The internet, barring a few major aberrations, has made that business model nigh impossible.

Enter podcasts.  Their long-form delivery allows the podcaster to crystalize their authentic “why” over time. Not only are podcasts helpful communicating the podcaster’s vision, but they’re also, by their very structure, trust-building vehicles.

Podcasts build trust.

The long-form format helps to establish trust. If for no other reason, the simple act of sticking around for a long period of time means your listener invested. It’s hard to walk away from an investment… especially a bad investment.

They’re inclined to get on board with your program.

This is why sales letters are so long in copywriting. They are playing on the fact that if the reader, even accidentally, invested the time to read the letter, they are more likely to accept the conclusion. It’s the sunk-cost bias. 

Now, knowing that you can use that bias to get your foot in the door, you’ve still got to close the sale. It should also go without saying that these tools are not to be used for evil.

The Market is Remains Wide Open

Podfading is real. The market may have cracked a million podcasts, but that doesn’t mean there are a million active shows.

Estimates are up to 75% of podcasts are no longer in “active-production.”  That’s a polite way of saying they’ve stopped creating content. The best you’ve got there are re-runs.

The conventional wisdom that podcasting is a saturated market and there’s no point starting, seems faulty. While there is a lot of residual value in archives and re-runs, listeners are hungry for content that doesn’t have a known shelf-life.

The Market is Hungry

Consumption of content is just way up. Worldwide, the average consumer of media spent almost 8 hours a day engaged with some form of media. 8 hours a day… every day.

Your audience is listening and searching. Create a podcast. Give them something to find. But how do you get your podcast to cut above the noise? 

Promotion is Still Collaborative

We’ve talked about the nature of the podcast listener market means that the creator market landscape isn’t a zero-sum game. There’s still more value being created by working together than there is in the “every man for himself” model.

Just because someone is already covering what you want to cover doesn’t mean there isn’t room enough in the audience for both.

Promoting your podcast doesn’t feel so cutthroat as a result. You don’t need to step on someone’s show to grow your own show.

You Aren’t Really All That Committed

One of the biggest reasons people sit out the podcast game on the sidelines is they’re afraid to commit. Afraid to commit to the wrong branding, message, format, etc.

Well, there’s really no need to carry that fear. You can rebrand until your heart’s content and you find market traction.

Every time I do a roundup or review I have to make sure that the host hasn’t rebranded their podcast without my knowledge. It’s rarely a clean break and it is more a brand evolution. Podcasting is still young enough to be intellectually malleable. 

And if it feels like you’ve gone too far down a path? Just let the podcast sunset and start a new.

2020 Was Weird

There’s going to come sometime in the future, and it likely won’t be the near term, when everyone’s going to take a deep breath, look around, and say out loud “What the hell was all that?”

We’re going to need to process that energy.

If 2020 taught us anything it’s that you don’t have to be perfect to have influence and value. Conventional wisdom took leave of its senses in 2020. Conventional wisdom decided to go on an overnight bender and it’s not entirely clear she’s coming back.

Do you have it figured out? As much as anyone else does. Which is to say not at all. Your voice is as valid as the next. And if you’re thoughtful and honest about not knowing, there’s value in the uncertainty.

A podcast is the perfect medium to express vulnerability. Let your audience in and grow with you.

Again, as our friend Simon points out, it’s not so much about what you’re selling. It’s why you’re selling it. Just keep that top of mind and your show will pick up momentum.

Conclusion

So get out there. Get out there imperfectly and add your thoughtful voice to the chorus. Posterity demands it. And, along the way, you’ll find your tribe and make more sales. So, really, you tell me, why shouldn’t you start a podcast in 2021?

Have you started one? Need a guest? Let me know in the comments.

The post Why Everyone Should Start a Podcast in 2021 appeared first on Discover the Best Podcasts | Discover Pods.

If you’re a podcaster, chances are you’ve already invested considerably into the production of your podcast. This includes investing in the best podcast mic, soundproofing a studio, a quality USB mixer, countless hours writing and editing the podcast, and also brainstorming how to make your podcast better and grow your audience. If you’re already putting so much effort into the production of podcast, isn’t it time to enjoy it? Nothing better than sitting back and listening to a quality podcast with crystal clear sound pumping straight into your ears from the best headphones you could find.

On the flip side, if you’re a podcast fan (like me), listening to a great podcast with comfortable and great-sounding headphones is crucial to the listening experience. For me, I typically listen to my podcasts at work, working out, or just when I have some free time at home. With these different use case scenarios I prefer different headphones. The sweat-resistant wireless earbuds are a must in the gym, while noise-cancelling is absolutely vital in my loud office.

Related reading: essential podcast equipment, 25 of the best podcast mics, How to Start a Podcast

Factors Going Into Your Decision:

• Price – everyone has a different budget
• Comfort – if you’re lounging at home, your ears shouldn’t be sore
• Sound Quality – if you’re an audiophile and appreciate good sound
• Wireless – convenience of bluetooth headphones
• Noise Cancelling – block outside noise when listening in public areas
• Mobility – depending on your situation, you may want headphones that fit in your pocket

Podcast Headphone Tiers

I firmly believe there are no truly bad headphones, but instead, there are headphones for specific or broad uses based on the factors above.

• Tier 1 — Affordable Earbuds — these are earbuds typically under $30 that you leave in your gym bag, at your office, or in some drawer at home. Given their affordability, you don’t need to keep a close eye on them, but they’re perfect for a quick run or to shove in your pockets.
• Tier 2 — Quality Earbuds — these are earbuds (or small wireless headphones) that range from $30 to $120. These are your “first pick” when it comes to a gym headphones or to listen to podcasts on the go.
• Tier 3 — Bang-for-your-buck Headphones — these are headphones typically under $200 that have great reviews and are more quality than earbuds. Some consider these “entry models” as audiophiles start to make investments in headphones
• Tier 4 — Premium Headphones — these are the creme de la creme. The ultra premium, noise cancelling, headphones. Often expensive purchases, these headphones are often researched and compared against each other.

So without further ado, here are the best headphones for podcasts recommended by podcasters themselves.

1. Audio Technica ATH-M50x

$$

Wireless: No

Review: The Audio Technica ATH-M50x is typically referred to as the best bang for your buck on-ear headphone set. Though it’s not wireless — you can purchase a Bluetooth adapter — the headphones come with three detachable cables and the headphones themselves collapse for easy mobility.

It is also adjustable, since you can rotate the earpieces up to 90º and leave them flat. Often commended for their comfort, the sports cloth pads are coated with a soft material and are relatively lightweight. They have a maximum input power up to 1600 mW and can produce frequencies ranging from 5-28,000 Hz. Though they’re not marketed as noise cancelling, reviewers recommend they still do a great job when listening in public.

2. Bose QuietComfort 35 Series 2 (QC35)

$$$

Wireless: Yes

Review:

I dare you to find an owner of the Bose QuietComfort 35 headphones and get them to say a bad thing about them. I dare you! Asking headphone owners if they’d buy the headphones again is a great barometer for headphone satisfaction. For Bose QuietComfort owners, both in the 25 and 35 model, you’ll likely never find a group of brand advocates so loyal to a specific headphone series.

But it’s not without good reason. The Bose QC35 headphones are ideal for a variety of use cases, not just podcasts. Their noise cancelling technology allows you to listen in utter silence in a public area, at the office, or to drown out outside noise. With a lithium-ion battery, you can listen up to 20 hours on a single charge — enough to get you through even the longest workday.

3. Sony MDR 7506

$

Wireless: No

Review:

This model offers great comfort thanks to its ergonomic design, its comfort pads and comfortable and adjustable headband. At the same time, it offers high-resolution audio with its 40mm neodymium speakers.

A knock on these (if it’s important to you), is the lack of a Bluetooth adapter and the 9.8 ft cord is not detachable. For some people this is a dealbreaker. Another potential issue is their lack of noise cancelling feature. Though they cup your ear and block a good amount of outside sound.

4. Audio Technica ATH-M40x

$

Wireless: No

Review:

The ATH-M40x are the baby brother to the M50x. A little cheaper, less flexible, and minimal compromise on sound quality, these are still an excellent on-ear podcast headphone.

Along with the M50x’s, they provide a great balance of comfort and audio quality. The major differences between the two models are the M40x only produces audio to 24,000 Hz, has less impedance, and the earcups don’t swivel in 90 degrees.

5. Bose QuietComfort 25 (QC25)

$$$

Wireless: No

Review:

We previewed the QC35 headphones above, but if the price tag was a little too steep, check these out. Though they’re not wireless, they still have all the sound quality and noise cancelling technologies as their more expensive counterpart.

The Bose noise cancelling technology is truly unique. They pick-up the ambient noise around you and emit the opposite sound resulting in absolute silence for whoever’s wearing them. You might have heard these headphones featured as the exclusive partner of one of our favorite podcasts, Twenty Thousand Hertz, people who definitely know quality sound.

6. Skullcandy Grind Bluetooth Wireless

$

Wireless: Yes

Review:

Probably the most stylish on-ear headphone of the bunch, the Skullcandy Grind has a minimalist look and aesthetic. The Bluetooth capability, combined with up to a 12 hour battery life, give this a strong mark for convenience.

For its part, however, the Grinds are fairly durable replacing most headphones plastic parts with metal. The more expensive models offer longer battery life, but have the same sound quality for the most part. Their 40mm audio drivers produce excellent stereo sound quality to hear all the details of the podcast.

7. Grado Prestige Series SR325e Headphones

$$

Wireless: No

Review:

Grado make some of my favorite and some of the best headphones out there. The one caveat is they tend to run on the expensive spectrum. If you’re looking for headphones specifically to edit or listen to podcasts, you can’t do much better than these. Some people knock them for their lack of deep bass support, but if you’re focusing on vocals that’s not much of an issue for you.

8. Panasonic HJE120 Earbuds

$

Wireless: No

Review:

Quite frankly, some people prefer the convenience and ease of earbuds they can easily fold and put in their pocket. If you’re looking to have a spare pair (or two) for your office, car, gym bag, or another occasion, give these a try. They’re not going to set you back to much, and you’d be hard pressed to find a better pair in this price range.

9. Harman Kardon CL Precision

$$

Wireless: No

Review:

For those looking for a model that not only works very well and brings high quality surround sound to their podcast experiences, check out these entry pairs of Harman and Kardon. They have a striking, modern design and live up to the Harman and Kardon brand of quality sound. Nearly a polar opposite of the Grado’s highlighted earlier, these modern headphones go heavy on the bass. So if you’re looking for podcast headphones, music, and other activities, these bring a more well-rounded sound to your listening.

10. LG Tone Pro HBS-770

$

Wireless: Yes

Review:

You’ve probably seen these headphones around town and wondered what exactly they are. With a unique look and fit, the LG Tones have a band that fits around your neck with the earbuds sprouting from there. Completely Bluetooth, these headphones are great for listening to podcasts during your commute. Their tethering capabilities allow you to answers calls and read texts without having to take your phone out. For the price point, they offer great sound quality and convenient for riding your bike or taking the train to work.

11. Bowers & Wilkins P5 Series 2

$$

Wireless: No (other models are wireless)

Review:

It’s kind of hard writing reviews on some of the best headphones on the market. I can’t just write “they have excellent sound quality” for all of them, that wouldn’t be fun to read. But, for the most part, they do! The Bowers & Wilkins P5 headphones, along with their P3, P7, and P9s are no exception. They have an excellent design intended to be both durable and comfortable for long periods of time. Combine that with well-constructed hardware underneath, hi-fi drive units, and you have a superb headphone at a reasonable price.

12. Sennheiser HD 558

$

Wireless: No

Review:

Maybe not as well known as their counterparts like Bose, Sony, or Harman and Kardon, Sennheiser has continued to make great headphones over the years. These headphones are relatively unique with each earcup having an internal sound reflector, immersing the listener in sound.

I’d also like to give a shout-out to Sennheiser’s marketing team. They call their headphone technology and unique properties part of the “Eargonomic Acoustic Refinement” design. Or, what they call E.A.R. for short. Well done.

13. AKG K 240 Studio MKII

$$

Wireless: No

Review:

These are the mid-range AKG headphones, which I think present the perfect blend of quality and affordability. Though typically thought of as studio headphones created for musicians, all the headphone qualities musicians are looking for — deep lows, clear vocals, etc. — are what podcasters look for in headphones as well.

AKG themselves describe their headphones technology as “Varimotion 30 mm XXL transducers deliver solid low end, accurate mids and crystal-clear highs.”

14. Jaybird X2 Wireless

$$

Wireless: Yes

Review:

As an owner of the Jaybird X2 headphones, I love them, simple as that. These active Bluetooth headphones are discrete, mobile, convenient, have a good battery life, and sound excellent. Literally, zero complaints.

So while they’re probably not what you’re looking for in the studio, and they don’t have noise cancelling technologies, if you’re working out or commuting and want full range with good headphones — look no further. These are the perfect commuter podcast headphones.

15. Sony XBA-C10IP earbuds

$

Wireless: Yes

Review:

I group headphones in four tiers, each having their place and purpose. You have your affordable earbuds you can have multiple pairs of so you’re never far away from them, premium earbuds for commutes and working out, bang for your buck on-ear headphones, and then the ultra premium on-ear headphones. These Sony XBA earbuds would fall into that second category — quality earbuds idea for traveling and daily activity.

So if you’re in the market for a decent set of earbuds to upgrade or replace the ones you have, give these a go.

16. Bose SoundLink II

$$$

Wireless: Yes

Review:

With up to 15 hours of playtime, their battery life isn’t quite up to the level of their QC35 counterpart. However, they still live up to the Bose brand and provide (what many claim is) the best sound quality headphones in the business. They don’t boast the proprietary noise cancelling of the QuietComfort line, but this makes them lighter, and what some people claim, more comfortable. These are excellent podcast headphones.

17. Anker Wireless Headphones

$

Wireless: Yes

Review:

If you’ve ever read Lifehacker, you know these are a perennial favorite among their readers. Affordability and bang-for-your-buck are always thrown around with Anker products, and their wireless headphones are no exception.

Sleek, flexible, and with a decent battery life these are great headphones for the gym or your commute. They have a waterproof coating and an ear hoop to give them a sturdy feel. I own a pair of these as well, and before I bought the Jaybird X2 headphones, these were my running pair.  

18. AKG Pro Audio K702

$$$

Wireless: No

Review:

Similar to the AKG headphones presented above, these present a good balance between price and quality — albeit this pair is the more premium model. They are built on a metal frame with synthetic leather covering and are foldable, so do not bulge much in a backpack, bag or suitcase. Their sound is rich and balanced: the bass has detail and forcefulness without dirtying the rest of the audio while the treble offers a great spaciousness to the sound.

19. Sony WH1000XM2

$$$

Wireless: Yes

Review:

These headphones are Sony’s answer to the Bose QuietComfort series. Excellent sound quality Bluetooth headphones with noise cancelling technology. If it’s my money, I’m likely buying the Bose, however, there are fierce evangelists that prefer Sony — it’s kind of an XBOX vs. PS4 situation.

The Sony WH100XM2 noise cancelling technology is graded better than the Bose QC series, and their touch controls are intuitive and provide a sleek design. Quite frankly, you can’t go wrong with either headphone and they’re both great investments. Either choice will make for a great podcast headphone.

20. Sennheiser HD280PRO

$

Wireless: No

Review:

Right in the wheelhouse of both premium and affordable, you’ll find the Sennheiser HD-280PRO. These headphones perch on the edge of a triple-digit price, and include many features you’d expect from headphones that blow past it: excellent ergonomics for long-term listening, high-fidelity treble and respectable bass, passive noise cancelling to 32dB, and a gorgeous frequency response curve.

Less sexy but worth mentioning are the easily replaceable individual components. If you primarily use one pair of headphones and wear them all the time, this is a great way to combat inevitable wear-and-tear.

21. Otium Wireless Sports

$

Wireless: Yes

Review:

Remember the four tiers of headphones? The Otium Wireless Sports fall squarely into tier one – they’re only going to set you back an Andrew Jackson and, given the features, seem like a steal. These are your workout headphones, the headphones you keep at your partner’s house so you can listen to the latest podcast episode without disturbing their sleep, the pair you keep in your backpack so that the next time you forget your tier twos or threes, you have a backup that doesn’t compromise on sound.

The upsides are obvious (bluetooth with 30ft range, painless pairing, durable design). The downsides are an 8hr lifespan on a single charge and, apparently, a voice warning of “Low Battery” that can interrupt your listening experience if you push it to the edge. So keep em charged and you’ll have a great on-the-go pair of headphones well worth the price of a couple six-packs of beer.

22. LyxPro HAS-10 Closed Back Over-Ear

$

Wireless: No

Review:

For the price, these are great over-ear headphones. They’re not going to set you back a whole lot and they don’t come with any fancy bells and whistles. That said, these headphones were designed to be an affordable option to higher-price studio headphones, meaning they didn’t skimp much on sound quality or comfort.

23. Beyerdynamic DT 770 Pro

$$

Wireless: No

Review:

Created for studio use, these are great headphones for podcast editors and sound engineers. It’s a closed studio headphone pair designed for detailed resolution and great sound at every volume.

Their marketing messaging says a lot about the headphones they make and who they make them for. Instead of leading off about their style, or different colors they come in, Beyerdynamic says, “Ultra-low bass sounds are defined and reproduced crisply. High frequencies are translated to an analytical, clear and differentiated sound. The spatial reproduction of these headphones is remarkable despite providing excellent isolation from the outside world.”

24. Beats Solo3

$$$

Wireless: Yes

Review:

Beats headphones tend to get a lot of criticism for spending more on marketing and fashion and less resources on crafting quality headphones. Whether you agree with this or not, The Beats Solo3 are nice and functional headphones. Also, being stylish isn’t necessarily a bad thing, right?

If you’re looking for wireless on-ear headphones to listen to podcasts during your commute or at work, these are a pretty good pair. They won’t break the bank compared with other premium headphones and you won’t look super nerdy wearing them either.

25. BeatsX Wireless

$$

Wireless: Yes

Review:

I was gifted these headphones and I have zero complaints. They compare nicely to the Jaybird X2 headphones, but I had some trouble getting them to fit comfortably. These headphones fall into the Tier 2 category I discussed earlier, quality wireless earbuds that provide the convenience and flexibility you’re looking for while still providing decent sound quality.

26. Philips SHP6000 HiFi Stereo Wired Headphone

Comfort is key with the Phillips SHP6000, offering large, padded foam cushions that sit over the ear and provide some sound-isolation. A fully cushioned headband provides additional comfort on long days of recording. 

The single-sided cable reduces tangling, and at 3 meters it gives you lots of flexibility to move around without accidentally unplugging. A 3.5mm to 6.3mm adaptor is also included to use the headphones with professional soundboards or equipment. 

27. Yamaha HPH-MT5 Monitor Headphones 

While many newer headphone models will work for monitoring sound, it is rare to find a pair that is designed just for that purpose. The HPH-MT5 delivers a balanced sound that is true to the source, making them an excellent option for shows with multiple hosts, live music or other complex monitoring needs. 

The headphones are lightweight for their size, weighing 255 grams, or just over half a pound. For context, that is less than a quarter of what the popular Beats by Dre Studio 3 headphones weigh. They also fold up easily and come with a convenient carrying bag. 

28. Sennheiser HD 600 Open Back Professional Headphones

Open backs are common in high end headphones, but they may not be the right fit for some podcasting needs. The open backside allows air to pass through the ear cups to the speaker element, meaning that you will not have a build up of pressure in the ear cups, but limiting the ability to block out noise and even leaking a bit of sound out. 

While these are not the right headphones for recording, they can be a luxurious addition to an editing suite in quiet space, or at-home listening. You will get incredible audio quality, which makes them helpful for critical listening or other tasks where high-quality audio files need to be closely monitored, such as mixing or mastering. 

29. Beyerdynamic DT 1770 Pro Studio Headphones

Beyerdynamic does not have the same name recognition globally as their German counterparts Sennheiser, but their products are impeccably made and the DT 1770 is one of their leading models. These closed-back studio reference headphones are meant for for mixing, mastering, monitoring and recording.

They feature a single sided, detachable cable with mini-XLR connectors and have replaceable ear pads and a replaceable headband. Featuring Tesla drivers, you will notice a dynamic and extremely natural sound that is popular amongst many of the world’s top producers, sound technicians and broadcasters. 

30. Samson SR350 Over Ear Stereo Headphones

Priced so low you might think it is a mistake, Samson’s SR350 headphones are significantly better than what you might expect headphones for $7.50 sound like. While you probably do not want to rely on a pair like this, if you simply need to have a bunch of headphones in bulk (for a large group recording, for example), they are a decent option.

Many headphones in this price range will have a tinny sound or sound like the audio is coming out of blown-out speakers, which the Samon SR350 improve on. Audiophiles will notice the quality issues, but for a quick monitor they do get the job done. Consider upgrading to the Studio version or Studio Reference, which feature better audio quality, plus a more comfortable fit. 

Discover Pods may receive a commission for items purchased, however, neither the reviews nor the rankings have been influenced.

The post 30 of the Best Podcast Headphones appeared first on Discover the Best Podcasts | Discover Pods.

So while many new and experience podcasters focus their investment on a good podcast mic, a USB mixer can arguably be just as important in perfecting the sound on your podcast. You want your voice and your guests’ voices to sound level and blend seamlessly in the conversation. Your podcast listeners shouldn’t be messing with their volume knob throughout your podcast. This is where your audio mixer comes in.

Podcast Recording Things To Consider

Podcast Format

What kind of podcast are you recording? Are you the only speaker or will you have a co-host? Several co-hosts at a time? Will you all be in the same room recording or remote? What kind of microphones are you using?

Do you typically record in the same room or studio for your episodes, or is your podcast typically recorded on the road? Mobile podcasts add another wrinkle onto recording with the equipment you ultimately decide to go with.

Podcast Recording Equipment and Accessories

What’s your podcast microphone setup like? Do you have one studio mic and the other budget quality? Are your microphones USB or XLR? Do you have any capability issues and is your life a dongle-filled mess?

Do you have studio podcast headphones? Do you have any sound latency problems?

Features of USB Mixers

Many USB mixers offer similar features and it’s important to know which ones matter the most for your podcast. It won’t do anyone any good to spend extra for features you’re not going to use.

I should note here, the audio mixers I’m reviewing are for XLR microphones. If you’re using a USB mic, look into recording software to add some digital mixing features. It’s not perfect, but it’s better than nothing.

You’ll want a dedicated XLR port for each audio input on your podcast. So if your podcast is typically you and another guest, you need at least two ports. I’d recommend always having an extra port because things change and in the chance you land that dream guest or two, you want to make sure your equipment can handle it.

Related reading: essential podcast equipment, 25 of the best podcast headphones & 12 of the best podcast hosting services, How to Start a Podcast

The Best USB Mixers for Podcasts

1. Behringer 12 Mixer-Powered, Black

$

With a low-noise operating system and tons of headroom to work with, the Behringer 12 is the perfect USB mixer for at-home recording artists and podcasters. Don’t let the low price fool you, as this bad boy comes with four state-of-the-art XENYX mic preamps, similar to high-grade preamps you’d find in professional studios. Each input comes complete with classic British-style EQs for a more musical sound, as well as a few effects for added processing.

Pros

• High-fidelity preamps
• Studio-grade EQs and compressors
• Easy to record straight to computer

Cons

• Unit can get very hot
• No instrument-level inputs

Buy it on Amazon

2. Behringer Xenyx Q502USB

$

If you’re looking for a compact, on-the-go USB Mixer, look no further than the Behringer Xenyx Q502USB. This analog mixer comes with five inputs, a high-grade Xenyx Mic Preamp, Classic British-style EQ, and a one-knob compressor for easy use. It has the perfect amount of clarity and musicality for anything from smaller, 1-2 man gigs or at-home recording.

Pros

• Great value for the money
• Versatile, yet versatile setup
• High-quality preamps

Cons

• Only records at 16-bit, 44.1kHz
• No power button

Buy it on Amazon

3. Behringer Q1202USB 12-Channel

$$

The Q1202USB 12-Channel is perfect for mid-sized setups, yet still compact enough to take with you on the go! It comes complete with four studio-grade Xenyx preamps, classic British-style EQs on each channel, and one-knob compressors for simple, dynamic control. It’s an excellent choice for someone who is looking to both record and perform live with more than a few simultaneous, incoming signals.

Pros

• Studio-quality microphone preamps
• Easy-to-use EQ and compression
• Simple computer connection for recording

Cons

• LED meters are short and not great for reference
• AC adapter has been known to create low hum

Buy it on Amazon

4. Mackie PROFX8V2 8-Channel

$$$

The Mackie PROFXV2 8-Channel is a solid, portable mixer for those looking to venture into live sound! It comes packed with high-quality Mackie Vita Preamps, a powerful effects engine, a unique graphic EQ, and USB recording/playback. There are two mic inputs and four line inputs, making it excellent for smaller live setups.

Pros

• High-grade, class-A preamps
• Strong effects engine
• Easily record you live performance with included tracktion software

Cons

• Noticeable noise at lower levels
• Gain is not the strongest

Buy it on Amazon

5. Yamaha MG10XU 10-Input

$$

Yamaha has always been a reliable brand when it comes to music hardware, and their MG10XU is the perfect beginner USB mixer for home recordists. Onboard, you’ll find Class-A D-PRE preamps that provide natural sound, 3-band EQs on all mono channels, 1-knob compressors, and a high-quality, SPX Digital multi-effects processor. We absolutely love the sleek, contoured design as well, keeping things cool when recording for long periods of time.

Pros

• Durable and sleek design
• Warm, natural sounding preamps
• Strong digital effects engine

Cons

• Gain is pretty low
• Some complain of crackling sound when using headphones

Buy it on Amazon

6. Behringer Audio Interface 1-Channel UM2

$

For beginner home recordists, the Behringer 1-Channel UM2 offers solid recording for single microphones or instruments. This low-latency audio interface comes with studio-grade Xenyx preamps and a 48kHz resolution for high-fidelity recordings. Plus, it’s portable enough to take with you on the go thanks to the bus-powered design.

Pros

• Small footprint for solid portability
• Dual monitor output
• Solid XLR/TRS combo jacks

Cons

• Only one phantom power switch for all channels
• No internal effects to use during low latency monitoring

Buy it on Amazon

7. Behringer Xenyx 1204USB 12-Input

$$

The Behringer Xenyx 1204USB mixer is fantastic for those looking to get premium sound in a compact module. Onboard you’ll find four high-quality Xenyx preamps, musical-sounding British EQs, and one-knob compressors, each working in conjunction to give you punch and warmth. From live gigs to USB recording, it’s an incredibly versatile unit for small to mid-sized groups.

Pros

• High-quality xenyx preamps
• Easy-to-use EQ and compression
• Simple recording connection

Cons

• No built-in effects processing
• Some people have problems with the loose power cable

Buy it on Amazon

8. Behringer Xenyx X1222USB 16-Input

$$$

If you’re looking for something a little bigger to record your music or podcasts at home, as well as do live sound, the Behringer Xenyx X1222USB is the perfect compromise between compact and versatile. You get four Xenyx Mic preamps and four stereo inputs, two of which also accept XLR. You’ll love the mono channel British-style EQs and one-knob compressor for easy processing, as well as the dual-engine multi-effect processor for everything from reverb,  to delay to pitch-shift and beyond!

Pros

• High-quality Xenyx preamps
• Tons of awesome onboard FX
• Professional feedback elimination process

Cons

• Headphone output is a bit noisy
• Low bit rate USB output

Buy it on Amazon

9. Pyle Professional 4-Channel USB Mixer

$

The Pyle Professional 4-Channel Mixer is the perfect choice for beginner or on-the-go recordists. Easily connect to your computer via USB or Bluetooth and take advantage of the XLR/TRS combo inputs and 3-band EQ for added processing. The rugged design makes it great for bringing on the go to lay down spur-of-the-moment ideas!

Pros

• Cordless Bluetooth connection
• Rugged and portable design
• 16-setting reverb FX option

Cons

• No mute button for mics
• Bluetooth doesn’t provide best audio quality

Buy it on Amazon

10. Focusrite Scarlett 2i2 2nd Gen

$$

The Focusrite Scarlett 2i2 is probably one of the best beginner audio interfaces on the market thanks to the high-grade preamps and 24-bit/192kHz conversion and sample rates. The 2-in, 2-out USB design makes it incredibly portable, perfect for plugging in your guitar or microphone and getting started right away.

Pros

• Two High-quality Scarlett preamps with tons of gain
• Leading conversion and sample rates
• Pro Tools First included

Cons

• Some experience USB port failure after a while
• Headphone volume is very quiet

Buy it on Amazon

11. Numark M6 4-Channel USB Mixer

$$

The Numark M6 4-Channel USB Mixer is a no-frills mixer for someone who just needs to simply lay down some audio with all of the effects and processing. You get four input channels with tons of gain and a three-band EQ for easy tweaking. The faders make adjusting the volume incredibly easy, and the unit is built like an absolute tank for security while traveling. Overall, this is a great unit for DJs who need a simple setup for live!

Pros

• Simple and durable design
• Tons of gain in each output
• Versatile Arsenal of Audio Input Types

Cons

• Talk-over feature can be buggy
• Large unit for what it contains

Buy it on Amazon

12. Behringer Xenyx 502

$

The Behringer Xenyx 502 is excellent for that small gig at your local coffee shop or small speech in your college lecture hall. At an incredibly compact size, the Xenyx 502 gives you only what you need to get a professional sound. On the interface, you have 5 inputs in total (one mic and two stereo), as well as an easy-to-use British EQ.

Pros

• Lightweight 1.2 lb design
• High-quality Xenyx preamps
• Easy-to-use interface

Cons

• No 48-volt phantom power
• Gets warm when in use for a while

Buy it on Amazon

13. Phenyx Pro 4-Channel

$

The Phenyx Pro 4-Channel is another simple mixer that is perfect for recording your music in your room or playing gigs at your local coffee shop. It comes with both balanced line and XLR inputs, a natural 3-band EQ, a send section for built-in effects, and +48v phantom power! All of this and you can easily connect it to your computer via USB.

Pros

• Portable design
• Included +48v phantom power
• Easy-to-use interface

Cons

• Effects section is very limited
• Some say headphone jack has a hissing noise

Buy it on Amazon

14. Audio2000’s AMX7342 Six-Channel

$

If you’re looking for something mid-range with all the essentials, the AMX7342 is perfect! With six channel comprised of both line and mic inputs, a number of send effects included 3-band EQs on each of the channels, and extremely high-accuracy level indicators on the interface, you get both quality sound and quality control. All of that and you can easily connect to your computer to record high-fidelity audio thanks to the +48v phantom power.

Pros

• High-accuracy level indicators
• Included +48v phantom power
• Unique graphic equalizer

Cons

• Not very user-friendly
• No onboard compressor for price

Buy it on Amazon

15. Ammoon 2-Channel Mini Mixing Console

$

The Annmoon 2-Channel takes miniature recording to the next level. If you’re looking to get into from-home broadcasting or just set up for a little karaoke, it’s the perfect option. It comes with one mic input and one stereo TRS inputs, both of which can be controlled with the easy-to-use knob interface. Even with only 5v of power, you still get switchable +48v phantom power for condenser use.

Pros

• Insanely portable design
• 5v low voltage power
• Included +48v Phantom Power

Cons

• Does not actually record with USB
• Channel sliders feel a bit cheap

Buy it on Amazon

16. Behringer Xenyx X1204 12-Input

$$

The Behringer Xenyx X1204 is the last at the threshold of compact mixers before getting into the pro game. You get four onboard Xenyx Preamps with studio-quality sound, some high-quality British EQs on each channel, one-knob, easy-to-use compressors for punch, and a powerful multi-FX processor with a whopping 16 different presets from reverb to delay to flanger and beyond. From live gigs to home recordings, it’s a solid choice!

Pros

• High-quality xenyx preamps
• Powerful multi-FX processor
• Included recording software

Cons

• Threshold for distortion is quick
• Metering isn’t the most accurate

Buy it on Amazon

17. Alesis MultiMix 4-Channel

$

The Alesis MultiMix 4-Channel is perfect for plopping down on your desktop and getting straight to recording! Thanks to its compact design and accurate, real-time metering, you can record both instruments and microphones with ease. There are also a number of built-in effects for dialing in character to your sound without fuss! This all comes to you from a reliable company that has been in the hardware game for many years.

Pros

• Portable size
• Built-in Fx processor
• Accurate metering

Cons

• Some complain of hiss
• Phantom power can be a little noisy

Buy it on Amazon

18. Behringer Xenyx 302USB Premium

$

The Behringer Xenyx 302USB Premium is an excellent bedroom mixer or travel interface for laying ideas down on the go. You get a dedicated 2-track input with phantom-powered Xenyx preamps, a musical British EQ, and some free software to get you ready to record right out of the box!

Pros

• Portable size
• Powerful preamps
• Comes with free recording software

Cons

• No control for USB recording level
• Cannot solo tracks

Buy it on Amazon

19. Behringer Xenyx 1002B Premium

$

The Behringer Xenyx 1002B is both portable and powerful with two high-quality Xenyx mic preamps, British-style 3-band EQs, and a 4/3 ratio of balanced stereo inputs and mic inputs. Even with the small size, you still get an FX send for adding a bit of character to your sound. All of this can be powered with a 9v battery for those who are feeling inspired on the go.

Pros

• Powerful Xenyx preamps
• Can be powered by 9v
• Low noise recording

Cons

• XLR jacks can be finicky
• Unit can get warm fast

Buy it on Amazon

20. Yamaha AG-03 3-Channel

$$

The Yamaha AG-03 3-Channel is excellent for podcasting and simple home recording. Thanks to the compact design, it can either be operated via USB or mobile battery. It surprisingly provides 192 kHz/24-bit sound for high-fidelity recordings, as well as a 1-touch DSP for both EQ and compression at the press of a button. For those who are looking to record to Apple devices, you can also connect to 2nd generation iPads or later.

Pros

• Easy iPad connection
• 1-Touch DSP for pro sound
• Comes with Cubase

Cons

• Audio output is a bit low
• Knobs feel a little cheap

Buy it on Amazon

21. Behringer Xenyx X2222USB 22-Input

$$$

Moving into the realm of pro audio, the Behringer Xenyx X2222 provides eight studio-grade, phantom-powered Xenyx Preamps, eight one-knob compressors, and British-style EQs, and a solid FX processor with 16 different presets that can be manipulated to your liking! You even get a tap function onboard for easy parameter storage! For recording larger groups in the studio or dialing in high-quality live sound, the Behringer Xenyx X2222 is a great piece of hardware!

Pros

• High-quality multi-FX processor
• Easy-to-use compressors and EQs
• Professional preamps

Cons

• Heats up pretty fast
• Not the most user-friendly

Buy it on Amazon

22. LyxPro MRB3 3-Channel

$

For those recordists on a budget, the LyxPro MRB3 3-Channel provides high-quality sound and Bluetooth convenience for easy recording. With easy-to-use controls and a wildly portable size, you can take this thing with you just about anywhere for laying down ideas on the go!

• High-quality construction
• Bluetooth connection
• Portable size

Cons

• No instrument cable connection
• A bit of added noise

Buy it on Amazon

23. Steinberg UR22C 2×2 USB 3.0 Audio Interface

Steinberg took make of the features of their larger, professional quality interfaces and condensed them down into this compact package. While it only has two XLR inputs, the USB functionality make it a great option for solo podcasters or pairs looking for an easy recording set-up. All of Steinberg’s interfaces in the UR line (which includes models with up to 6 inputs) feature the same high-quality D-PRE mic preamps from Yamaha. 

Pros: 

• USB makes it easy to record to a computer or laptop 
• Great build quality

Cons: 

• May be more complicated than needed for a beginner interface
• Some users report issues with Windows 10

Buy it on Amazon

24. QSC TouchMix 8 Digital Mixer

The QSC TouchMix is one of the few options on the market working to take mixers into the next era, offering a touchscreen interface instead of the traditional switches and knobs, and leading to a workflow that some will find smoother and more versatile. The digital screen allows for a more compact build, while still offering four XLR inputs and four XLR outputs. While many of the capabilities would not be utilized by a podcaster, the small size packs a lot of punch and the TouchMix 8 is incredibly feature rich. 

Pros: 

• Small, compact size given all of the capabilities
• Touchscreen allows for “fast” mixing 

Cons: 

• Expensive
• Probably more than you would need to use for a podcast  

Buy it on Amazon

25. Mackie Audio Interface, Onyx Producer 2X2 USB Audio Interface

Mackie’s Onyx interfaces feature great sound quality in ultra small packages, competitive with some devices priced two or three times as high. This model features two preamps with phantom power for use with condenser microphones, packaged within a sturdy, compact build. While it is a great option for podcasting, music producers will also appreciate the built-in MIDI I/O for controllers, synths, and more.

Pros: 

• Premium quality preamps 
• Easy interface and controls

Cons: 

• Some users report software issues with Windows

Buy it on Amazon

26. Zoom H6 6-Track Portable Recorder

Zoom recorders are popular with journalists and filmmakers recording in the field, and the H6 has become one of the most popular options with its six-track continuous recording and four XLR inputs. While it is commonly used to record documentary or podcast interviews on-location, this device works great in a home studio as well, especially if you may be packing up your recording kit and bringing it to an interview subjects home or to a different recording space. 

While you can use the H6 as a mixer and run a line out, it also accepts an SD card for direct recording. Furthermore, the recorder comes with two interchangeable input capsules and can be used as a recorder on its own. These two features allow it to be used as a handheld microphone with internal recording, which can be helpful in the field, or for “blog” style audio recording. 

Pros: 

• Compact and portable
• Internal recording

Cons: 

• Less control and functionality than dedicated audio mixers
• Condensed size means that some controls are harder to use

Buy it on Amazon

Discover Pods may receive a commission for items purchased, however, neither the reviews nor the rankings have been influenced.

The post The 26 Best USB Mixers (for Podcasts and Home Studios) appeared first on Discover the Best Podcasts | Discover Pods.